Kaylee @ Gor on Earth: recovered treasures
List of commits:
| Subject | Hash | Author | Date (UTC) |
|---|---|---|---|
| Sixth (6) layer | 9a5a187152ddbccdceb3770420703c6a52ae5ba4 | Maxim Leonov | 2017-08-03 00:00:00 |
| Fifth (5) layer | 740c843d01cbed9fb118976e4fcd017b5c3dccc1 | Maxim Leonov | 2017-08-03 00:00:00 |
| Fourth (4) layer | eb46810e63eac246220593d99f319681195aa912 | Maxim Leonov | 2017-08-03 00:00:00 |
| Third (3) layer | 213beed2b88894e3a5ad5a4e388002e8fe827518 | Maxim Leonov | 2017-08-03 00:00:00 |
| Second (2) layer | f6b7facb0f678d6b887f4a8831e3e0a37bf27f3f | Maxim Leonov | 2017-08-03 00:00:00 |
| First (1) layer | 203bd3f71c7faf5a50d42d5e2ade73c1c5574c2a | Maxim Leonov | 2017-08-03 00:00:00 |
Commit 9a5a187152ddbccdceb3770420703c6a52ae5ba4
- Sixth (6) layer
Author: Maxim Leonov
Author date (UTC): 2017-08-03 00:00
Committer name: Maxim Leonov
Committer date (UTC): 2017-08-03 00:00
Parent(s): 740c843d01cbed9fb118976e4fcd017b5c3dccc1
Signing key:
Tree: e1744d65364fd9629b2d643e9417906a05bb0b0f
Author: Maxim Leonov
Author date (UTC): 2017-08-03 00:00
Committer name: Maxim Leonov
Committer date (UTC): 2017-08-03 00:00
Parent(s): 740c843d01cbed9fb118976e4fcd017b5c3dccc1
Signing key:
Tree: e1744d65364fd9629b2d643e9417906a05bb0b0f
| File | Lines added | Lines deleted |
|---|---|---|
| aboutkaylee.htm | 181 | 185 |
| aboutkaylee.htm-head.txt | 7 | 7 |
| cards.htm | 138 | 104 |
| cards.htm-head.txt | 7 | 7 |
| collar.htm | 106 | 106 |
| collar.htm-head.txt | 7 | 7 |
| copyright.htm | 250 | 250 |
| copyright.htm-head.txt | 7 | 7 |
| essayindex.htm | 19 | 9 |
| essayindex.htm-head.txt | 7 | 7 |
| index.htm | 78 | 96 |
| index.htm-head.txt | 8 | 8 |
| kayindex.htm | 2 | 0 |
| kayindex.htm-head.txt | 7 | 7 |
| lakajira.htm | 4 | 4 |
| lakajira.htm-head.txt | 7 | 7 |
| natorder2.htm | 299 | 299 |
| natorder2.htm-head.txt | 7 | 7 |
| simulation.htm | 242 | 242 |
| simulation.htm-head.txt | 7 | 7 |
| slavelinks.htm | 312 | 312 |
| slavelinks.htm-head.txt | 7 | 7 |
| trust.htm | 256 | 256 |
| trust.htm-head.txt | 7 | 7 |
| File aboutkaylee.htm changed (mode: 100644) (index 5eb1e36..2755105) | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
| 2 | <html> | ||
| 3 | <head> | ||
| 4 | <meta | ||
| 5 | name="generator" | ||
| 6 | content="HTML Tidy, see www.w3.org"> | ||
| 7 | <title>Sanctuary: kaylee</title> | ||
| 8 | <meta | ||
| 9 | name="DESCRIPTION" | ||
| 10 | content= | ||
| 11 | "Part of a series of Slave Musings: author's bio"> | ||
| 12 | <meta | ||
| 13 | name="keywords" | ||
| 14 | content= | ||
| 15 | "Gor, consensual slavery, Gorean philosophy, kajira, Master, slave, Gorean lifestyle, Gorean slavery"> | ||
| 16 | <script | ||
| 17 | type="text/javascript" | ||
| 18 | language="JavaScript"> | ||
| 19 | <!-- | ||
| 20 | // No rightclick script | ||
| 21 | // � 2001-2003 `kaylee | ||
| 22 | function click() { | ||
| 23 | if (event.button==2) { | ||
| 24 | alert('If you would like your own unique web graphics, please contact kaylee. Copyright �kaylee{G} 2001-2003. All Rights Reserved. '); | ||
| 25 | } | ||
| 26 | } | ||
| 27 | document.onmousedown=click | ||
| 28 | // --> | ||
| 29 | </script> | ||
| 30 | |||
| 31 | <style | ||
| 32 | type="text/css"> | ||
| 33 | <!-- | ||
| 34 | BODY { | ||
| 35 | scrollbar-face-color: #DF994F; | ||
| 36 | scrollbar-highlight-color: #FFC861; | ||
| 37 | scrollbar-3dlight-color: #FFDD6F; | ||
| 38 | scrollbar-darkshadow-color: #5F0805; | ||
| 39 | scrollbar-shadow-color: #D96001; | ||
| 40 | scrollbar-arrow-color: #000000; | ||
| 41 | scrollbar-track-color: #9A5E33; | ||
| 42 | } | ||
| 43 | |||
| 44 | P.a { | ||
| 45 | text-align: left; | ||
| 46 | font-family: Times New Roman,serif; | ||
| 47 | font-size: 17px; | ||
| 48 | color:#E9CE8E; | ||
| 49 | font-style: italic} | ||
| 50 | |||
| 51 | P.b { | ||
| 52 | text-align: center; | ||
| 53 | font-family: Times New Roman,serif; | ||
| 54 | font-size: 15px; | ||
| 55 | color:#E9CE8E} | ||
| 56 | |||
| 57 | P.c { | ||
| 58 | text-align: center; | ||
| 59 | font-family: Times New Roman,serif; | ||
| 60 | font-size: 12px; | ||
| 61 | color:#E9CE8E} | ||
| 62 | |||
| 63 | --> | ||
| 64 | </style> | ||
| 65 | </head> | ||
| 66 | <body | ||
| 67 | bgcolor="#000000" | ||
| 68 | text="#E9CE8E" | ||
| 69 | link="#EFB85A" | ||
| 70 | vlink="#E9CE8E" | ||
| 71 | alink="#385C5E"> | ||
| 72 | <div | ||
| 73 | align="center"> | ||
| 74 | <center><br> | ||
| 75 | <br> | ||
| 76 | <br> | ||
| 77 | <br> | ||
| 78 | <table | ||
| 79 | background="images/kaylee/background/orangeribbon.jpg" | ||
| 80 | border="1" | ||
| 81 | bordercolor="#EFB85A" | ||
| 82 | width="85%" | ||
| 83 | cellpadding="10" | ||
| 84 | cellspacing="0" | ||
| 85 | summary="This table provides a colored border"> | ||
| 86 | <tr> | ||
| 87 | <td | ||
| 88 | width="100%"> | ||
| 89 | <center> | ||
| 90 | <table | ||
| 91 | bgcolor="#000000" | ||
| 92 | border="1" | ||
| 93 | bordercolor="#000000" | ||
| 94 | width="100%" | ||
| 95 | cellpadding="5" | ||
| 96 | cellspacing="0" | ||
| 97 | summary= | ||
| 98 | "This table provides a colored background for the main text"> | ||
| 99 | <tr> | ||
| 100 | <td | ||
| 101 | width="100%"><br> | ||
| 102 | <br> | ||
| 103 | <br> | ||
| 104 | <center><img | ||
| 105 | src="images/kaylee/title/aboutkaytitle.jpg" | ||
| 106 | alt="title graphic"></center> | ||
| 107 | |||
| 108 | <br> | ||
| 109 | <br> | ||
| 110 | <blockquote> | ||
| 111 | <p | ||
| 112 | class="a">kaylee met her owner over five years ago via the | ||
| 113 | internet. Within a year, she was moved to the East Coast to serve | ||
| 114 | as his household property. Although she was already aware of her | ||
| 115 | slave nature prior to this, her relationship showed her what a | ||
| 116 | long, winding path she had before her. Layers of emotional | ||
| 117 | protection were skillfully peeled back by his mastery, exposing | ||
| 118 | her soul well hidden even from herself for many years.</p> | ||
| 119 | |||
| 120 | <p | ||
| 121 | class="a">She loves the rush of adrenalin as much as she enjoys | ||
| 122 | the quiet peace found curling up at his feet. Her areas of study | ||
| 123 | at college included psychology, English and marketing, with some | ||
| 124 | post graduate work in communications. She can often be found | ||
| 125 | curled up reading a good book, searching for new recipes, | ||
| 126 | acquiring new skills to improve her service, learning HTML and | ||
| 127 | web site maintenance, or designing eCards and web graphics. Her | ||
| 128 | passion is writing.</p> | ||
| 129 | |||
| 130 | <p | ||
| 131 | class="a">During her journey, she has stumbled at times and | ||
| 132 | occasionally strayed from her path of focus. She is forever | ||
| 133 | grateful to the man who never lowered his expectations of her, | ||
| 134 | but inspires her daily to continually strive to meet his | ||
| 135 | expectations for her.</p> | ||
| 136 | |||
| 137 | <br> | ||
| 138 | |||
| 139 | |||
| 140 | <center><img | ||
| 141 | src="images/kaylee/background/tladivider1.jpg" | ||
| 142 | alt="divider bar"></center> | ||
| 143 | |||
| 144 | <br> | ||
| 145 | |||
| 146 | |||
| 147 | <p | ||
| 148 | class="b">At the feet of strong men, she found peace.<br> | ||
| 149 | <br> | ||
| 150 | At the feet of one man, she found rapture.<br> | ||
| 151 | <br> | ||
| 152 | Her life is his.</p> | ||
| 153 | |||
| 154 | <br> | ||
| 155 | </blockquote> | ||
| 156 | |||
| 157 | <center><a | ||
| 158 | href="kayindex.htm"><img | ||
| 159 | border="0" | ||
| 160 | src="images/kaylee/buttons/tlahome.jpg" | ||
| 161 | alt="Home"></a></center> | ||
| 162 | |||
| 163 | <br> | ||
| 164 | <br> | ||
| 165 | <p | ||
| 166 | class="c">Words and web graphics �Copyright 2001- 2003 kaylee. All | ||
| 167 | rights reserved. Please do not reprint without permission. Last | ||
| 168 | update: July 29, 2003</p> | ||
| 169 | </td> | ||
| 170 | </tr> | ||
| 171 | </table> | ||
| 172 | </center> | ||
| 173 | </td> | ||
| 174 | </tr> | ||
| 175 | </table> | ||
| 176 | |||
| 177 | <br> | ||
| 178 | <br> | ||
| 179 | <br> | ||
| 180 | <br> | ||
| 181 | </center> | ||
| 182 | </div> | ||
| 183 | </body> | ||
| 184 | </html> | ||
| 185 | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
| 2 | <html> | ||
| 3 | <head> | ||
| 4 | <meta | ||
| 5 | name="generator" | ||
| 6 | content="HTML Tidy, see www.w3.org"> | ||
| 7 | <title>Sanctuary: kaylee</title> | ||
| 8 | <meta | ||
| 9 | name="DESCRIPTION" | ||
| 10 | content= | ||
| 11 | "Part of a series of Slave Musings: author's bio"> | ||
| 12 | <meta | ||
| 13 | name="keywords" | ||
| 14 | content= | ||
| 15 | "Gor, consensual slavery, Gorean philosophy, kajira, Master, slave, Gorean lifestyle, Gorean slavery"> | ||
| 16 | <script | ||
| 17 | type="text/javascript" | ||
| 18 | language="JavaScript"> | ||
| 19 | <!-- | ||
| 20 | // No rightclick script | ||
| 21 | // � 2001-2003 `kaylee | ||
| 22 | function click() { | ||
| 23 | if (event.button==2) { | ||
| 24 | alert('If you would like your own unique web graphics, please contact kaylee. Copyright �kaylee{G} 2001-2003. All Rights Reserved. '); | ||
| 25 | } | ||
| 26 | } | ||
| 27 | document.onmousedown=click | ||
| 28 | // --> | ||
| 29 | </script> | ||
| 30 | |||
| 31 | <style | ||
| 32 | type="text/css"> | ||
| 33 | <!-- | ||
| 34 | BODY { | ||
| 35 | scrollbar-face-color: #DF994F; | ||
| 36 | scrollbar-highlight-color: #FFC861; | ||
| 37 | scrollbar-3dlight-color: #FFDD6F; | ||
| 38 | scrollbar-darkshadow-color: #5F0805; | ||
| 39 | scrollbar-shadow-color: #D96001; | ||
| 40 | scrollbar-arrow-color: #000000; | ||
| 41 | scrollbar-track-color: #9A5E33; | ||
| 42 | } | ||
| 43 | |||
| 44 | P.a { | ||
| 45 | text-align: left; | ||
| 46 | font-family: Times New Roman,serif; | ||
| 47 | font-size: 17px; | ||
| 48 | color:#E9CE8E; | ||
| 49 | font-style: italic} | ||
| 50 | |||
| 51 | P.b { | ||
| 52 | text-align: center; | ||
| 53 | font-family: Times New Roman,serif; | ||
| 54 | font-size: 15px; | ||
| 55 | color:#E9CE8E} | ||
| 56 | |||
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| 58 | text-align: center; | ||
| 59 | font-family: Times New Roman,serif; | ||
| 60 | font-size: 12px; | ||
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| 70 | vlink="#E9CE8E" | ||
| 71 | alink="#385C5E"> | ||
| 72 | <div | ||
| 73 | align="center"> | ||
| 74 | <center><br> | ||
| 75 | <br> | ||
| 76 | <br> | ||
| 77 | <br> | ||
| 78 | <table | ||
| 79 | background="images/kaylee/background/orangeribbon.jpg" | ||
| 80 | border="1" | ||
| 81 | bordercolor="#EFB85A" | ||
| 82 | width="85%" | ||
| 83 | cellpadding="10" | ||
| 84 | cellspacing="0" | ||
| 85 | summary="This table provides a colored border"> | ||
| 86 | <tr> | ||
| 87 | <td | ||
| 88 | width="100%"> | ||
| 89 | <center> | ||
| 90 | <table | ||
| 91 | bgcolor="#000000" | ||
| 92 | border="1" | ||
| 93 | bordercolor="#000000" | ||
| 94 | width="100%" | ||
| 95 | cellpadding="5" | ||
| 96 | cellspacing="0" | ||
| 97 | summary= | ||
| 98 | "This table provides a colored background for the main text"> | ||
| 99 | <tr> | ||
| 100 | <td | ||
| 101 | width="100%"><br> | ||
| 102 | <br> | ||
| 103 | <br> | ||
| 104 | <br> | ||
| 105 | <br> | ||
| 106 | <blockquote> | ||
| 107 | <p | ||
| 108 | class="a">kaylee met her owner over five years ago via the | ||
| 109 | internet. Within a year, she was moved to the East Coast to serve | ||
| 110 | as his household property. Although she was already aware of her | ||
| 111 | slave nature prior to this, her relationship showed her what a | ||
| 112 | long, winding path she had before her. Layers of emotional | ||
| 113 | protection were skillfully peeled back by his mastery, exposing | ||
| 114 | her soul well hidden even from herself for many years.</p> | ||
| 115 | |||
| 116 | <p | ||
| 117 | class="a">She loves the rush of adrenalin as much as she enjoys | ||
| 118 | the quiet peace found curling up at his feet. Her areas of study | ||
| 119 | at college included psychology, English and marketing, with some | ||
| 120 | post graduate work in communications. She can often be found | ||
| 121 | curled up reading a good book, searching for new recipes, | ||
| 122 | acquiring new skills to improve her service, learning HTML and | ||
| 123 | web site maintenance, or designing eCards and web graphics. Her | ||
| 124 | passion is writing.</p> | ||
| 125 | |||
| 126 | <p | ||
| 127 | class="a">During her journey, she has stumbled at times and | ||
| 128 | occasionally strayed from her path of focus. She is forever | ||
| 129 | grateful to the man who never lowered his expectations of her, | ||
| 130 | but inspires her daily to continually strive to meet his | ||
| 131 | expectations for her.</p> | ||
| 132 | |||
| 133 | <br> | ||
| 134 | |||
| 135 | |||
| 136 | <center><img | ||
| 137 | src="images/kaylee/background/tladivider1.jpg" | ||
| 138 | alt="divider bar"></center> | ||
| 139 | |||
| 140 | <br> | ||
| 141 | |||
| 142 | |||
| 143 | <p | ||
| 144 | class="b">At the feet of strong men, she found peace.<br> | ||
| 145 | <br> | ||
| 146 | At the feet of one man, she found rapture.<br> | ||
| 147 | <br> | ||
| 148 | Her life is his.</p> | ||
| 149 | |||
| 150 | <br> | ||
| 151 | </blockquote> | ||
| 152 | |||
| 153 | <center><a | ||
| 154 | href="kayindex.htm"><img | ||
| 155 | border="0" | ||
| 156 | src="images/kaylee/buttons/tlahome.jpg" | ||
| 157 | alt="Home"></a></center> | ||
| 158 | |||
| 159 | <br> | ||
| 160 | <br> | ||
| 161 | <p | ||
| 162 | class="c">Words and web graphics �Copyright 2001- 2003 kaylee. All | ||
| 163 | rights reserved. Please do not reprint without permission. Last | ||
| 164 | update: July 29, 2003</p> | ||
| 165 | </td> | ||
| 166 | </tr> | ||
| 167 | </table> | ||
| 168 | </center> | ||
| 169 | </td> | ||
| 170 | </tr> | ||
| 171 | </table> | ||
| 172 | |||
| 173 | <br> | ||
| 174 | <br> | ||
| 175 | <br> | ||
| 176 | <br> | ||
| 177 | </center> | ||
| 178 | </div> | ||
| 179 | </body> | ||
| 180 | </html> | ||
| 181 | |||
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| File cards.htm changed (mode: 100644) (index a1fa704..cad95f4) | |||
| ... | ... | color:#FFFFFF} | |
| 32 | 32 | P.body { | P.body { |
| 33 | 33 | text-align: left; | text-align: left; |
| 34 | 34 | font-family: Times New Roman,serif; | font-family: Times New Roman,serif; |
| 35 | font-size: 17px; | ||
| 35 | font-size: 19px; | ||
| 36 | 36 | font-style: italic; | font-style: italic; |
| 37 | 37 | color:#6495ED} | color:#6495ED} |
| 38 | 38 | ||
| ... | ... | color:#6B82B5; | |
| 96 | 96 | width="20%"> | width="20%"> |
| 97 | 97 | <center><font | <center><font |
| 98 | 98 | size="4" | size="4" |
| 99 | color="#6495ED"><b>Card Galleries</b></font><br> | ||
| 99 | color="#FFFFFF"><b><i><a | ||
| 100 | href="cardgalleries.htm">Enter the<br> | ||
| 101 | Card Galleries</a></i></b><br> | ||
| 100 | 102 | <br> | <br> |
| 101 | 103 | <font | <font |
| 102 | size="3"><i><a | ||
| 103 | href="cards1.htm">Soul Surrender</a><br> | ||
| 104 | <a | ||
| 105 | href="cards2.htm">Slave Heart</a><br> | ||
| 106 | <a | ||
| 107 | href="cards3.htm">Special Messages</a><br> | ||
| 108 | <a | ||
| 109 | href="cards4.htm">Gorean Cards</a><br> | ||
| 110 | <a | ||
| 111 | href="cards5.htm">From Master</a><br> | ||
| 112 | <a | ||
| 113 | href="cards6.htm">Darker Passions</a><br> | ||
| 114 | <a | ||
| 115 | href="cards7.htm">Featured Artists</a><br> | ||
| 116 | <a | ||
| 117 | href="cards8.htm">Seasonal Devotions</a></i></font><br> | ||
| 104 | size="4" | ||
| 105 | color="#FFFFFF"><b><i><a | ||
| 106 | href="cardpickup.htm">Card Pickup Page</a></i></b><br> | ||
| 107 | </font><br> | ||
| 118 | 108 | <br> | <br> |
| 119 | 109 | <br> | <br> |
| 120 | <font | ||
| 110 | <font | ||
| 121 | 111 | size="4" | size="4" |
| 122 | 112 | color="#6495ED"><b>Related Links</b></font><br> | color="#6495ED"><b>Related Links</b></font><br> |
| 123 | 113 | <br> | <br> |
| ... | ... | color:#6B82B5; | |
| 133 | 123 | target="new">Spirit of Giving site</a><br> | target="new">Spirit of Giving site</a><br> |
| 134 | 124 | <a | <a |
| 135 | 125 | href="slavelinks.htm" | href="slavelinks.htm" |
| 136 | target="new">Useful slave links</a> | ||
| 137 | <br> | ||
| 126 | target="new">Useful slave links</a><br> | ||
| 138 | 127 | <a | <a |
| 139 | 128 | href= | href= |
| 140 | "mailto: kaylee@gor-on-earth.com?subject=Reflections of the Soul">email kaylee</a> | ||
| 141 | </i></font><br> | ||
| 129 | "mailto: kaylee@gor-on-earth.com?subject=Reflections of the Soul"> | ||
| 130 | email kaylee</a></i></font><br> | ||
| 142 | 131 | <br> | <br> |
| 143 | 132 | <br> | <br> |
| 144 | 133 | <font | <font |
| 145 | 134 | size="4" | size="4" |
| 146 | color="#6495ED"><b>Copyright Information</b></font><br><br> | ||
| 135 | color="#6495ED"><b>Copyright Information</b></font><br> | ||
| 136 | <br> | ||
| 147 | 137 | <font | <font |
| 148 | 138 | size="2" | size="2" |
| 149 | 139 | color="#FFFFFF">Each card and web set is created by following | color="#FFFFFF">Each card and web set is created by following |
| 150 | 140 | and respecting copyright laws. Please take a moment to read the | and respecting copyright laws. Please take a moment to read the |
| 151 | 141 | <a | <a |
| 152 | 142 | href="copyright.htm">Copyright Policy</a> for Reflections of the | href="copyright.htm">Copyright Policy</a> for Reflections of the |
| 153 | Soul. <br><br>If you have any questions regarding copyrights and the | ||
| 154 | internet, she recommends the following links as a wonderful way | ||
| 155 | to educate and protect yourself. Please, help share awareness | ||
| 156 | with others. :)</font><br><br> | ||
| 143 | Soul.<br> | ||
| 144 | <br> | ||
| 145 | If you have any questions regarding copyrights and the internet, | ||
| 146 | she recommends the following links as a wonderful way to educate | ||
| 147 | and protect yourself. Please, help share awareness with others. | ||
| 148 | :)</font><br> | ||
| 149 | <br> | ||
| 157 | 150 | <a | <a |
| 158 | 151 | href="http://www.whatiscopyright.org/" | href="http://www.whatiscopyright.org/" |
| 159 | 152 | target="new"><img | target="new"><img |
| ... | ... | with others. :)</font><br><br> | |
| 170 | 163 | <br> | <br> |
| 171 | 164 | <br> | <br> |
| 172 | 165 | <br> | <br> |
| 173 | </center> | ||
| 166 | </font></center> | ||
| 174 | 167 | </td> | </td> |
| 175 | 168 | <td | <td |
| 176 | 169 | valign="top" | valign="top" |
| 177 | 170 | width="60%"> | width="60%"> |
| 178 | 171 | <blockquote> | <blockquote> |
| 179 | <p class="warn">Note: some of the following cards contain artistic | ||
| 180 | nudity or refer to a mature consensual relationship. You | ||
| 181 | must be 18 years of age to enter. If you are not at least that | ||
| 182 | age, or might be offended by tasteful nudity then please do not | ||
| 183 | enter these galleries.</p><br><br> | ||
| 172 | <font | ||
| 173 | size="4" | ||
| 174 | color="white">UPDATE: Several new cards have been added to Slave Heart and Long Distance/Thank you Galleries.</font><br> | ||
| 175 | <br> | ||
| 176 | <center><img | ||
| 177 | src="/images/kaylee/reflections/doublebar.jpg" | ||
| 178 | alt="divider" | ||
| 179 | border="0"></center> | ||
| 180 | <br><br> | ||
| 184 | 181 | <p | <p |
| 185 | 182 | class="body">Welcome to Reflections of the Soul. Originally | class="body">Welcome to Reflections of the Soul. Originally |
| 186 | 183 | established as an eCard site in February 2001, this site has | established as an eCard site in February 2001, this site has |
| 187 | 184 | expanded over the past year to provide personalized web design. | expanded over the past year to provide personalized web design. |
| 188 | Our goal is to provide unique e-cards and web designs with a | ||
| 189 | blend of eloquently expressive graphics and words that express | ||
| 185 | My goal is to provide unique e-cards and web designs with a blend | ||
| 186 | of eloquently expressive graphics and words that express | ||
| 190 | 187 | intangible emotions... or just speak to you from the soul :)</p> | intangible emotions... or just speak to you from the soul :)</p> |
| 191 | 188 | ||
| 192 | 189 | <p | <p |
| 193 | 190 | class="body">Please come inside, look around, and see if any of | class="body">Please come inside, look around, and see if any of |
| 194 | her cards might suit your own mood. Browse our main library of | ||
| 191 | the cards suit your own mood. Feel free to browse our main library of | ||
| 195 | 192 | essays, checking out the assortment of slave links, or spend some | essays, checking out the assortment of slave links, or spend some |
| 196 | 193 | time reading musings devoted to slavery. If you are looking for | time reading musings devoted to slavery. If you are looking for |
| 197 | something unique to share with someone, you might enjoy | ||
| 198 | kaylee's most popular poem, <a | ||
| 194 | something unique to share with someone, you might enjoy my | ||
| 195 | most popular poem, <a | ||
| 199 | 196 | href="tobeaslave1.htm" | href="tobeaslave1.htm" |
| 200 | target="new">If you want to be a slave</a>. Other writings are | ||
| 201 | also designed to be easily shared with others, and can be found | ||
| 202 | in the <a href="kayindex.htm" target="new">Slave Musings</a> section.</p> | ||
| 197 | target="new">If you want to be a slave</a>. Other writings have | ||
| 198 | designed to be easily shared with others, and can be found | ||
| 199 | in the <a | ||
| 200 | href="kayindex.htm" | ||
| 201 | target="new">Slave Musings</a> section.</p> | ||
| 203 | 202 | ||
| 204 | 203 | <p | <p |
| 205 | class="body">During the last year, she began to receive requests | ||
| 204 | class="body">During the last year, I began to receive requests | ||
| 206 | 205 | for customized web graphics and web sets. Each web set is created | for customized web graphics and web sets. Each web set is created |
| 207 | 206 | on a case-by-case basis so that it can uniquely reflect the | on a case-by-case basis so that it can uniquely reflect the |
| 208 | person using it. The only requirement is a link back and agreement | ||
| 209 | to terms of use. Please <a href="mailto: kaylee@gor-on-earth.com?subject=Reflections of the Soul">contact</a> her at kaylee@gor-on-earth.com regarding web graphics if you | ||
| 210 | are interested.</p> | ||
| 207 | person using it. The only requirement is a link back and | ||
| 208 | agreement to terms of use. Please contact me at <a | ||
| 209 | href= | ||
| 210 | "mailto: kaylee@gor-on-earth.com?subject=Reflections of the Soul"> | ||
| 211 | kaylee@gor-on-earth.com</a> regarding web graphics | ||
| 212 | if you are interested.</p> | ||
| 211 | 213 | ||
| 212 | 214 | <p | <p |
| 213 | 215 | class="body">This is a constantly evolving site, and hopefully | class="body">This is a constantly evolving site, and hopefully |
| 214 | will offer you many reasons to return and browse often as kaylee | ||
| 215 | herself grows in her journey. If you have any suggestions on what | ||
| 216 | kind of cards you would like to see in the future, please contact her.</p> | ||
| 216 | will offer you many reasons to return and browse often as I | ||
| 217 | grow in my own journey. If you have any suggestions on what | ||
| 218 | kind of cards you would like to see in the future, please contact | ||
| 219 | me.</p> | ||
| 220 | |||
| 221 | <p | ||
| 222 | class="warn">Note: some of the following cards contain artistic | ||
| 223 | nudity or refer to a mature consensual relationship. You must be | ||
| 224 | 18 years of age to enter. If you are not at least that age, or | ||
| 225 | might be offended by tasteful nudity then please do not enter | ||
| 226 | these galleries.</p> | ||
| 227 | |||
| 228 | <br> | ||
| 217 | 229 | </blockquote> | </blockquote> |
| 218 | <br><br> | ||
| 230 | |||
| 231 | <br> | ||
| 232 | <br> | ||
| 219 | 233 | <center> | <center> |
| 220 | 234 | <form | <form |
| 221 | 235 | name="jump"><select | name="jump"><select |
| 222 | 236 | name="menu"> | name="menu"> |
| 223 | 237 | <option | <option |
| 224 | value="cards1.htm">Soul Surrender eCard Gallery</option> | ||
| 225 | <option | ||
| 226 | value="cards2.htm">Slave Heart eCard Gallery</option> | ||
| 227 | <option | ||
| 228 | value="cards3.htm">Special Messages and Thoughts eCard | ||
| 229 | Gallery</option> | ||
| 230 | <option | ||
| 231 | value="cards4.htm">Gorean eCard Gallery</option> | ||
| 232 | <option | ||
| 233 | value="cards5.htm">From Master eCard Gallery</option> | ||
| 234 | <option | ||
| 235 | value="cards6.htm">Darker Passions eCard Gallery</option> | ||
| 236 | <option | ||
| 237 | value="cards7.htm">Featured Artists eCard Gallery</option> | ||
| 238 | <option | ||
| 239 | value="cards8.htm">Seasonal Greetings eCard Gallery</option> | ||
| 238 | value="cardgalleries.htm">Enter the eCard Galleries</option> | ||
| 240 | 239 | <option | <option |
| 241 | 240 | value="kayindex.htm">Library: Slave Musings</option> | value="kayindex.htm">Library: Slave Musings</option> |
| 242 | 241 | <option | <option |
| ... | ... | Gallery</option> | |
| 253 | 252 | <td | <td |
| 254 | 253 | valign="top" | valign="top" |
| 255 | 254 | width="20%"> | width="20%"> |
| 256 | <center> | ||
| 257 | <font | ||
| 255 | <center><font | ||
| 258 | 256 | size="4" | size="4" |
| 259 | color="#6495ED"><b>Update</b></font><br><br><font | ||
| 260 | size="2" | ||
| 261 | color="#FFFFFF">Looking for a certain kind of card? Voice your opinion here!<br><a | ||
| 262 | href= | ||
| 263 | "http://pub26.bravenet.com/vote/vote.php?usernum=2152967234&cpv=1" | ||
| 264 | target="new"><img src="http://images.bravenet.com/pub/vote.gif" border="0" width="100" height="35" /></a></font> | ||
| 265 | <br> | ||
| 266 | <br> | ||
| 257 | color="#6495ED"><b>Update</b></font><br> | ||
| 267 | 258 | <br> | <br> |
| 268 | 259 | <font | <font |
| 269 | size="4" | ||
| 270 | color="#6495ED"><b>Coming Attractions</b></font><br><br><font | ||
| 271 | 260 | size="2" | size="2" |
| 272 | color="#FFFFFF">Valentine Cards soon to be in our Seasonal Gallery</font> | ||
| 273 | <br> | ||
| 261 | color="#FFFFFF">Looking for a certain kind of card? Voice your | ||
| 262 | opinion here!<br> | ||
| 263 | <a | ||
| 264 | href= | ||
| 265 | "http://pub26.bravenet.com/vote/vote.php?usernum=2152967234&cpv=1" | ||
| 266 | target="new"><img | ||
| 267 | src="http://images.bravenet.com/pub/vote.gif" | ||
| 268 | border="0" | ||
| 269 | width="100" | ||
| 270 | height="35"></a></font><br> | ||
| 274 | 271 | <br> | <br> |
| 275 | 272 | <br> | <br> |
| 276 | 273 | <font | <font |
| ... | ... | Gallery</option> | |
| 287 | 284 | size="2">Want to have a link to this site from yours? Download | size="2">Want to have a link to this site from yours? Download |
| 288 | 285 | this logo to your computer, or visit this <a | this logo to your computer, or visit this <a |
| 289 | 286 | href="copyright.htm" | href="copyright.htm" |
| 290 | target="new">page</a> for other logos to use.</font> | ||
| 291 | <br><br><br> | ||
| 287 | target="new">page</a> for other logos to use.</font><br> | ||
| 288 | <br> | ||
| 289 | <br> | ||
| 292 | 290 | <font | <font |
| 293 | 291 | size="4" | size="4" |
| 294 | 292 | color="#6495ED"><b>Affiliated Sites</b></font><br> | color="#6495ED"><b>Affiliated Sites</b></font><br> |
| ... | ... | this logo to your computer, or visit this <a | |
| 298 | 296 | target="new"><img | target="new"><img |
| 299 | 297 | src="/images/kaylee/buttons/givingbanner.jpg" | src="/images/kaylee/buttons/givingbanner.jpg" |
| 300 | 298 | border="0" | border="0" |
| 301 | alt="Spirit of Giving: a collection of submissive voices"></a> | ||
| 302 | <br><br><br> | ||
| 299 | alt= | ||
| 300 | "Spirit of Giving: a collection of submissive voices"></a><br> | ||
| 301 | <br> | ||
| 302 | <br> | ||
| 303 | 303 | <font | <font |
| 304 | 304 | size="4" | size="4" |
| 305 | 305 | color="#6495ED"><b>Send to a friend</b></font><br> | color="#6495ED"><b>Send to a friend</b></font><br> |
| 306 | <br> | ||
| 307 | <!-- v- pass-it-onGEAR Code by http://htmlgear.com -v --> | ||
| 308 | <script language="JavaScript" src="http://htmlgear.lycos.com/pass/control.pass?u=kayleewench&i=2&a=render&style=js"> | ||
| 306 | <br> | ||
| 307 | <!-- v- pass-it-onGEAR Code by http://htmlgear.com -v --> | ||
| 308 | <script | ||
| 309 | type="text/javascript" | ||
| 310 | language="JavaScript" | ||
| 311 | src= | ||
| 312 | "http://htmlgear.lycos.com/pass/control.pass?u=kayleewench&i=2&a=render&style=js"> | ||
| 313 | |||
| 314 | |||
| 309 | 315 | </script> | </script> |
| 310 | <noscript> | ||
| 311 | <A HREF="http://htmlgear.lycos.com/pass/control.pass?u=kayleewench&i=2&a=render&" target="RESULTS"> | ||
| 312 | <img src="http://htmlgear.lycos.com/img/pass/badge12.gif" border="0"></a><BR><a href="http://htmlgear.lycos.com/specs/pass.html"><img src="http://htmlgear.lycos.com/img/log/pa_i_getgear.GIF" alt="get this gear!" border="0"></a> | ||
| 313 | </noscript> | ||
| 316 | |||
| 317 | |||
| 318 | |||
| 319 | <noscript><a | ||
| 320 | href= | ||
| 321 | "http://htmlgear.lycos.com/pass/control.pass?u=kayleewench&i=2&a=render&" | ||
| 322 | target="RESULTS"><img | ||
| 323 | src="http://htmlgear.lycos.com/img/pass/badge12.gif" | ||
| 324 | border="0"></a><br> | ||
| 325 | <a | ||
| 326 | href="http://htmlgear.lycos.com/specs/pass.html"><img | ||
| 327 | src="http://htmlgear.lycos.com/img/log/pa_i_getgear.GIF" | ||
| 328 | alt="get this gear!" | ||
| 329 | border="0"></a></noscript> | ||
| 314 | 330 | <!-- ^- End pass-it-onGEAR Code -^ --> | <!-- ^- End pass-it-onGEAR Code -^ --> |
| 315 | <br><br><br> | ||
| 331 | <br> | ||
| 332 | <br> | ||
| 333 | <br> | ||
| 316 | 334 | <a | <a |
| 317 | 335 | href= | href= |
| 318 | 336 | "mailto: kaylee@gor-on-earth.com?subject=Reflections of the Soul"> | "mailto: kaylee@gor-on-earth.com?subject=Reflections of the Soul"> |
| 319 | 337 | <img | <img |
| 320 | 338 | src="/images/kaylee/buttons/emailrs.jpg" | src="/images/kaylee/buttons/emailrs.jpg" |
| 321 | alt="Contact kaylee" border="0"></a> | ||
| 322 | </center> | ||
| 323 | </td> | ||
| 339 | alt="Contact kaylee" | ||
| 340 | border="0"></a></center> | ||
| 341 | </td> | ||
| 324 | 342 | </tr> | </tr> |
| 325 | |||
| 326 | 343 | </table> | </table> |
| 344 | |||
| 327 | 345 | <br> | <br> |
| 328 | 346 | <br> | <br> |
| 329 | 347 | <br> | <br> |
| 330 | 348 | <br> | <br> |
| 331 | 349 | <br> | <br> |
| 332 | 350 | <br> | <br> |
| 333 | <script language="JavaScript1.2" type="text/javascript" src="http://pub26.bravenet.com/counter/code.php?id=336040&usernum=2152967234&groupnum=26&cpv=1"> </script> | ||
| 334 | <noscript> | ||
| 335 | <a href="http://counter26.bravenet.com/index.php?id=336040&usernum=2152967234&cpv=1" | ||
| 336 | target="_top"><img src="http://counter26.bravenet.com/counter.php?id=336040&usernum=2152967234" | ||
| 337 | alt="Bravenet.com" align="top" border="0"/></a></noscript><br> | ||
| 338 | <p class="credit"> | ||
| 339 | Graphic design �2002 kaylee{G}<br> | ||
| 351 | <script | ||
| 352 | language="JavaScript1.2" | ||
| 353 | type="text/javascript" | ||
| 354 | src= | ||
| 355 | "http://pub26.bravenet.com/counter/code.php?id=336040&usernum=2152967234&groupnum=26&cpv=1"> | ||
| 356 | |||
| 357 | |||
| 358 | |||
| 359 | </script> | ||
| 360 | |||
| 361 | <noscript><a | ||
| 362 | href= | ||
| 363 | "http://counter26.bravenet.com/index.php?id=336040&usernum=2152967234&cpv=1" | ||
| 364 | target="_top"><img | ||
| 365 | src= | ||
| 366 | "http://counter26.bravenet.com/counter.php?id=336040&usernum=2152967234" | ||
| 367 | alt="Bravenet.com" | ||
| 368 | align="top" | ||
| 369 | border="0"></a></noscript><br> | ||
| 370 | <p | ||
| 371 | class="credit">Graphic design �2002 kaylee{G}<br> | ||
| 340 | 372 | Some graphic elements of the RS logo are used with permission<br> | Some graphic elements of the RS logo are used with permission<br> |
| 341 | 373 | in compliance with copyright�2000-2002 www.arttoday.com.<br> | in compliance with copyright�2000-2002 www.arttoday.com.<br> |
| 342 | Special thanks to <a href="http://www.bravenet.com" target="new">Bravenet</a> for their services.<br> | ||
| 374 | Special thanks to <a | ||
| 375 | href="http://www.bravenet.com" | ||
| 376 | target="new">Bravenet</a> for their services.<br> | ||
| 343 | 377 | </p> | </p> |
| 344 | 378 | </body> | </body> |
| 345 | 379 | </html> | </html> |
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| File collar.htm changed (mode: 100644) (index 2693d50..329395e) | |||
| 1 | <HTML> | ||
| 2 | <HEAD> | ||
| 3 | <TITLE>Gor on Earth: Sanctuary</TITLE> | ||
| 4 | <meta name="Keywords" content="slavery, submission, D/s, Master, Norman, Gor, Gorean, slave, kajira"> | ||
| 5 | <meta name="Description" content="Slave-oriented section of a site discussing consentual slavery and Master/slave relationships as lived 24/7"> | ||
| 6 | <meta name="robots" content="index, follow"> | ||
| 7 | <meta name="revisit" Content="14 days"> | ||
| 8 | <script language="JavaScript"> | ||
| 9 | <!-- | ||
| 10 | // No rightclick script | ||
| 11 | // � 2001 `kaylee{G} | ||
| 12 | function click() { | ||
| 13 | if (event.button==2) { | ||
| 14 | alert('All contents, written and graphic, protected by copyright � kaylee{G} 2001. All Rights Reserved.'); | ||
| 15 | } | ||
| 16 | } | ||
| 17 | document.onmousedown=click | ||
| 18 | // --> </script> | ||
| 19 | </HEAD> | ||
| 20 | <body background="/images/kaylee/background/brownbg.gif" LEFTMARGIN="60" RIGHTTMARGIN="60" MARGINWIDTH="60" TOPMARGIN="60" MARGINHEIGHT="60" link=#FFF7E0 vlink=#f5deb3> | ||
| 21 | <basefont face="Times New Roman" size=4 color="#33463A"><center> | ||
| 22 | <div align="center"> | ||
| 23 | <center> | ||
| 24 | <P><P><P><P> | ||
| 25 | <table border="2" cellpadding="35" cellspacing="0" width="90%" background="images/kaylee/background/softfrost.gif" bordercolordark="#773A22" bordercolorlight="#FFF7E0"> | ||
| 26 | <tr> | ||
| 27 | <td width="100%"> | ||
| 28 | <BR><center><img src="images/kaylee/background/necklace1.gif"></center><BR><BR> | ||
| 29 | <font face="Times New Roman" color="#773A22"> | ||
| 30 | <blockquote><B>"To know what it is to be a slave one must be in the collar, one must be a slave."<BR>--p.286, Vagabonds of Gor, John Norman</b><P></font> </blockquote> | ||
| 31 | |||
| 32 | <font face="Times New Roman" color="#0D0146"> | ||
| 33 | On the planet Gor, there were no uncollared slaves running around, unless they were runaways or escapees. As property, they were always owned, or they were free. Not every woman wearing a collar was best suited for slavery, and not every natural slave bore steel around her throat. At best, the girl was lucky if her nature and status were matched.<P> | ||
| 34 | |||
| 35 | In a consensual society where slavery is not recognised legally, much more focus is placed on the slavegirl's nature, not her status. Therefore, she may be unowned but still of a slave nature, and indicate as such without switching her status back and forth from free to slave. Rather, she is in the difficult position of owned vs unowned. <P></font> | ||
| 36 | |||
| 37 | <blockquote> <font color="#773A22"> <B>"The collar," I said, touching it, "is put on from without, but what it encircles, the slave, comes from within." <BR>--pg.210, Savages of Gor, John Norman </b><P></blockquote></font> | ||
| 38 | |||
| 39 | <font face="Times New Roman" color="#0D0146"> | ||
| 40 | So what does a collar mean? It signifies ownership and possession. It indicates to the public not only her nature but the identity of her owner. It is an external symbol of her enslavement, something extremely strong and yet intangible. <P></font> | ||
| 41 | |||
| 42 | <blockquote> | ||
| 43 | <font color="#773A22"><B>"'What is the common purpose of a collar?' <BR> | ||
| 44 | 'The collar has four common purposes, Master,' she said. <BR> | ||
| 45 | 'First, it visibly designates me as a slave, as a brand might not, <BR>if it should be covered by clothing. <BR> | ||
| 46 | Second, it impresses my slavery upon me. <BR> | ||
| 47 | Thirdly, it identifies my master. Fourthly�fourthly�'<BR> | ||
| 48 | 'Fourthly?' he said.<BR> | ||
| 49 | 'Fourthly,' she said, 'it makes it easier to leash me.'"<BR> | ||
| 50 | |||
| 51 | <font face="Times New Roman" color="#0D0146">kaylee has seen many girls who first enter Gor that in order to be there, they *need* a collar, personal or tavern. To kaylee, that seems backwards. Without knowing who you are, how can one commit to such a deep level of ownership to another? The pressure put on girls seems enormous: a new girl hears that perhaps men view owned slaves differently, that perhaps the collar protects a slave from being pleasing to others, that her life is easier because she belongs to another, that a girl with steel on her neck is more desirable than one without.<P> | ||
| 52 | |||
| 53 | From someone who was unowned and is now owned: it doesn't mean *everything*. It doesn't change who you are inside.<P> | ||
| 54 | |||
| 55 | We all were unowned once. Chances are, we might be unowned again at some point in our lives. Bearing a man's collar does not excuse us from striving to please men. Ask yourself what this collar protects you from. From having to serve men you don't like? From being corrected by any Free person who takes the time to teach you? That is part of being kajira. And if you answer, honestly, from being thrown to a sleen... well, kaylee doesn't know what to tell you. <P> | ||
| 56 | |||
| 57 | A collar is not a "get out of jail free" card. We have just as much to lose as the uncollared girl, if not more. We must be on our toes and think quickly in situations where our owner is not there to guide us. We don't get to ride on past successes just because there is steel around our necks... we find that we are still expected to learn and grow each day. But we also learn at the feet of each Freeperson we are fortunate enough to serve. A collar indicates you are proclaiming yourself as slave: particularly as an owned one; expect to be treated as one. And that is something from which a "training" collar or little white silks cannot protect you.<P> | ||
| 58 | |||
| 59 | A collar will not validate you. <P> | ||
| 60 | |||
| 61 | Nor is the symbol of a collar required for a girl to become emotionally enslaved to a man. <P></font> | ||
| 62 | |||
| 63 | <blockquote><font color="#773A22"><B>"The condition of slavery does not require the collar, or the brand, or an anklet, bracelet or ring, or any such overt sign of bondage. Such things, as symbolic as they are, as profoundly meaningful as they are, and as useful as they are for marking properties, identifying masters, and such, are not necessary to slavery. They are, in effect, though their affixing can legally effect imbondment, ultimately, in themselves, tokens of bondage, and are not to be confused with the reality itself. The uncollared slave is not then a free woman but only a slave who is not then in a collar. Similarly a slave is still a slave even if her brand could be made to magically disappear or, if she has been made a slave in some other way, if she has not yet been branded."<BR> | ||
| 64 | --pg. 273, Renegades of Gor, John Norman </b></blockquote><P></font> | ||
| 65 | |||
| 66 | <font face="Times New Roman" color="#0D0146">A collar will not make you into something better than you are, deep inside. If a girl is nothing, who wants to own "nothing"? It is not meant to serve as an esteem booster. It will not assure you that men will see you of value. No steel is guaranteed for life: situations change. Fate happens, deaths happen, people evolve, men change their minds. That girl who's neck is bare, the one that you whisper is worthless because she's been in Gor for six months without being owned? You may be in her place one day. <P> | ||
| 67 | |||
| 68 | Worse yet... a collar is not the equivilant of going steady, wearing someone's class ring around your neck (literally). Can they truly own you, in a few days? Do they know who you are, deep down in your hidden alcoves of your soul and do you know the man you kneel before?<P></font> | ||
| 69 | |||
| 70 | <blockquote><font color="#773A22"><B>"Consider the matter of marriage. Most women, prior to marriage, do not truly know the man they are marrying. They will come to know him, truly, only in living with him, his. It is natural, then, that a woman should enter into such a relation with a certain amount of trepidation. How much more so, then, must this be the case with the female slave, whose new master, one who will have total power over her, is likely to be a total stranger, a fellow whom she has probably never even seen before her sale. Is he going to enfold her lovingly in his arms, and master her, and cherish her as a treasure, or is he going to feed her to sleen? She does not know. You strive desperately to please him. You are his. You hope for the best."<BR> | ||
| 71 | --pg.416, Kajira of Gor, John Norman</b></blockquote><P></font> | ||
| 72 | |||
| 73 | <font face="Times New Roman" color="#0D0146">Ownership is an absolute condition. One cannot be partially owned. To be owned means one lays her life at another's feet. It means that someone else has the final say so if they choose to use it in your life. That applies to all aspects that the man chooses to exercise it in, be it something as simple as how you wear your hair to something infinitely more difficult as career choices or childbearing. As this is a consensual society, and not Gor where the girl might not have a choice in who owns her... it behooves any girl to learn as much about the man as possible before begging his steel.<P> | ||
| 74 | |||
| 75 | Some men may own possessions but not wish to do much with them other than pull them out on occasion, brush the dust off them, and enjoy them for a limited time. Another man might polish and care for his possessions, testing their limits and abilities, and find much pleasure in their mere existence in the man's life. Either way, the man is completely within his rights to treat his possessions as he chooses, it is smart for the girl to discover the kind of man he is prior to even considering enslavement to him, to ensure she can and will be able to please him as he wishes. What type of collar are you hoping to wear?<P></font> | ||
| 76 | |||
| 77 | <blockquote><font color="#773A22"><B>"It is one thing to own a woman, and it is another to have her within the bonds of an excellent mastery." <BR>-- p. 465 Magicians of Gor, John Norman</b></blockquote><P></font> | ||
| 78 | |||
| 79 | <font face="Times New Roman" color="#0D0146">It is natural to want to be owned. It is natural to desire to progress in your journey. But if that is your sole reason for begging a collar... kaylee would say the collar will be ill fitting. It is not the girl's agenda that counts. It is the owner's. It is not so much that a girl *wants* to be owned, but rather that when he claims her, she can deny it no longer. <P> | ||
| 80 | |||
| 81 | If you can walk away, if you can say no, if you can place your will above his, you are not enslaved to him. You are not owned, at least, not yet. Becoming owned may be the last choice of free will a slave may make, if she chooses it well.<P></font> | ||
| 82 | |||
| 83 | <blockquote><font color="#773A22"><B>"`Is it true she begged bondage,' asked Boabissia, `that she chose slavery of her own free will?'<BR> | ||
| 84 | `Yes,' I said.<BR> | ||
| 85 | `What a fool,' said Boabissia.<BR> | ||
| 86 | `Perhaps,' I said. To be sure, such a decision should not be made lightly. <BR>Such a decision may be made of one's own free will, <BR>but it cannot be revoked by one's own free will, <BR>for, after it is made, one is then helpless to alter or influence <BR>one's new condition in any way."<BR> | ||
| 87 | --pg.234, Mercenaries of Gor, John Norman</b></blockquote><P></font> | ||
| 88 | |||
| 89 | <font face="Times New Roman" color="#0D0146">Being owned can be the most fulfilling emotion for a woman, if the collar is right. It is something that cannot be explained unless it is experienced firsthand. But to become collared for the wrong reasons can strip away some of the significance until all that remains is a pretty necklace with little or no value.<P> | ||
| 90 | |||
| 91 | What these well meaning advisors to new slaves often forget to mention is that ownership is surrendering all rights to another. That includes the right to walk away when it becomes hard, or when you realise you might not know the person as well as you first thought you did with stars in your eyes. It means that you might have to face the consequences for a hasty, poorly thought out decision. It is more than falling in love, or trusting him with her heart.... a broken heart may heal. The steel may last longer than the infatuation. <P> | ||
| 92 | |||
| 93 | It is trusting him with her life. <P> | ||
| 94 | |||
| 95 | So listen to those who warn that Gor is dangerous without a collar... they are speaking of well meaning predators like themselves, who use the excuse of "protection" to collar a girl, and will discard you just as easily. Be one of the girls who 's need to belong to someone, anyone, is so great that it overrides all else, and collects various collars on her bedpost without actually knowing the depth of ownership. <P>But if you need a collar to validate the person you are - then look within - because there is something missing that a steel necklace cannot change.<P><BR><BR><BR></font> | ||
| 96 | <center><BR><BR> | ||
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| 100 | Visit <a href="copyright.htm">www.gor-on-earth.com/copyright.htm</a> for our site's copyright policy.</i></font><BR></center> | ||
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| 25 | <table border="2" cellpadding="35" cellspacing="0" width="90%" background="images/kaylee/background/softfrost.gif" bordercolordark="#773A22" bordercolorlight="#FFF7E0"> | ||
| 26 | <tr> | ||
| 27 | <td width="100%"> | ||
| 28 | <BR><center><img src="images/kaylee/background/necklace1.gif"></center><BR><BR> | ||
| 29 | <font face="Times New Roman" color="#773A22"> | ||
| 30 | <blockquote><B>"To know what it is to be a slave one must be in the collar, one must be a slave."<BR>--p.286, Vagabonds of Gor, John Norman</b><P></font> </blockquote> | ||
| 31 | |||
| 32 | <font face="Times New Roman" color="#0D0146"> | ||
| 33 | On the planet Gor, there were no uncollared slaves running around, unless they were runaways or escapees. As property, they were always owned, or they were free. Not every woman wearing a collar was best suited for slavery, and not every natural slave bore steel around her throat. At best, the girl was lucky if her nature and status were matched.<P> | ||
| 34 | |||
| 35 | In a consensual society where slavery is not recognised legally, much more focus is placed on the slavegirl's nature, not her status. Therefore, she may be unowned but still of a slave nature, and indicate as such without switching her status back and forth from free to slave. Rather, she is in the difficult position of owned vs unowned. <P></font> | ||
| 36 | |||
| 37 | <blockquote> <font color="#773A22"> <B>"The collar," I said, touching it, "is put on from without, but what it encircles, the slave, comes from within." <BR>--pg.210, Savages of Gor, John Norman </b><P></blockquote></font> | ||
| 38 | |||
| 39 | <font face="Times New Roman" color="#0D0146"> | ||
| 40 | So what does a collar mean? It signifies ownership and possession. It indicates to the public not only her nature but the identity of her owner. It is an external symbol of her enslavement, something extremely strong and yet intangible. <P></font> | ||
| 41 | |||
| 42 | <blockquote> | ||
| 43 | <font color="#773A22"><B>"'What is the common purpose of a collar?' <BR> | ||
| 44 | 'The collar has four common purposes, Master,' she said. <BR> | ||
| 45 | 'First, it visibly designates me as a slave, as a brand might not, <BR>if it should be covered by clothing. <BR> | ||
| 46 | Second, it impresses my slavery upon me. <BR> | ||
| 47 | Thirdly, it identifies my master. Fourthly�fourthly�'<BR> | ||
| 48 | 'Fourthly?' he said.<BR> | ||
| 49 | 'Fourthly,' she said, 'it makes it easier to leash me.'"<BR> | ||
| 50 | -- p. 80 Explorers of Gor, John Norman </b></blockquote><P></font> | ||
| 51 | |||
| 52 | <font face="Times New Roman" color="#0D0146">kaylee has seen many girls who first enter Gor that in order to be there, they *need* a collar, personal or tavern. To kaylee, that seems backwards. Without knowing who you are, how can one commit to such a deep level of ownership to another? The pressure put on girls seems enormous: a new girl hears that perhaps men view owned slaves differently, that perhaps the collar protects a slave from being pleasing to others, that her life is easier because she belongs to another, that a girl with steel on her neck is more desirable than one without.<P> | ||
| 53 | |||
| 54 | From someone who was unowned and is now owned: it doesn't mean *everything*. It doesn't change who you are inside.<P> | ||
| 55 | |||
| 56 | We all were unowned once. Chances are, we might be unowned again at some point in our lives. Bearing a man's collar does not excuse us from striving to please men. Ask yourself what this collar protects you from. From having to serve men you don't like? From being corrected by any Free person who takes the time to teach you? That is part of being kajira. And if you answer, honestly, from being thrown to a sleen... well, kaylee doesn't know what to tell you. <P> | ||
| 57 | |||
| 58 | A collar is not a "get out of jail free" card. We have just as much to lose as the uncollared girl, if not more. We must be on our toes and think quickly in situations where our owner is not there to guide us. We don't get to ride on past successes just because there is steel around our necks... we find that we are still expected to learn and grow each day. But we also learn at the feet of each Freeperson we are fortunate enough to serve. A collar indicates you are proclaiming yourself as slave: particularly as an owned one; expect to be treated as one. And that is something from which a "training" collar or little white silks cannot protect you.<P> | ||
| 59 | |||
| 60 | A collar will not validate you. <P> | ||
| 61 | |||
| 62 | Nor is the symbol of a collar required for a girl to become emotionally enslaved to a man. <P></font> | ||
| 63 | |||
| 64 | <blockquote><font color="#773A22"><B>"The condition of slavery does not require the collar, or the brand, or an anklet, bracelet or ring, or any such overt sign of bondage. Such things, as symbolic as they are, as profoundly meaningful as they are, and as useful as they are for marking properties, identifying masters, and such, are not necessary to slavery. They are, in effect, though their affixing can legally effect imbondment, ultimately, in themselves, tokens of bondage, and are not to be confused with the reality itself. The uncollared slave is not then a free woman but only a slave who is not then in a collar. Similarly a slave is still a slave even if her brand could be made to magically disappear or, if she has been made a slave in some other way, if she has not yet been branded."<BR> | ||
| 65 | --pg. 273, Renegades of Gor, John Norman </b></blockquote><P></font> | ||
| 66 | |||
| 67 | <font face="Times New Roman" color="#0D0146">A collar will not make you into something better than you are, deep inside. If a girl is nothing, who wants to own "nothing"? It is not meant to serve as an esteem booster. It will not assure you that men will see you of value. No steel is guaranteed for life: situations change. Fate happens, deaths happen, people evolve, men change their minds. That girl who's neck is bare, the one that you whisper is worthless because she's been in Gor for six months without being owned? You may be in her place one day. <P> | ||
| 68 | |||
| 69 | Worse yet... a collar is not the equivilant of going steady, wearing someone's class ring around your neck (literally). Can they truly own you, in a few days? Do they know who you are, deep down in your hidden alcoves of your soul and do you know the man you kneel before?<P></font> | ||
| 70 | |||
| 71 | <blockquote><font color="#773A22"><B>"Consider the matter of marriage. Most women, prior to marriage, do not truly know the man they are marrying. They will come to know him, truly, only in living with him, his. It is natural, then, that a woman should enter into such a relation with a certain amount of trepidation. How much more so, then, must this be the case with the female slave, whose new master, one who will have total power over her, is likely to be a total stranger, a fellow whom she has probably never even seen before her sale. Is he going to enfold her lovingly in his arms, and master her, and cherish her as a treasure, or is he going to feed her to sleen? She does not know. You strive desperately to please him. You are his. You hope for the best."<BR> | ||
| 72 | --pg.416, Kajira of Gor, John Norman</b></blockquote><P></font> | ||
| 73 | |||
| 74 | <font face="Times New Roman" color="#0D0146">Ownership is an absolute condition. One cannot be partially owned. To be owned means one lays her life at another's feet. It means that someone else has the final say so if they choose to use it in your life. That applies to all aspects that the man chooses to exercise it in, be it something as simple as how you wear your hair to something infinitely more difficult as career choices or childbearing. As this is a consensual society, and not Gor where the girl might not have a choice in who owns her... it behooves any girl to learn as much about the man as possible before begging his steel.<P> | ||
| 75 | |||
| 76 | Some men may own possessions but not wish to do much with them other than pull them out on occasion, brush the dust off them, and enjoy them for a limited time. Another man might polish and care for his possessions, testing their limits and abilities, and find much pleasure in their mere existence in the man's life. Either way, the man is completely within his rights to treat his possessions as he chooses, it is smart for the girl to discover the kind of man he is prior to even considering enslavement to him, to ensure she can and will be able to please him as he wishes. What type of collar are you hoping to wear?<P></font> | ||
| 77 | |||
| 78 | <blockquote><font color="#773A22"><B>"It is one thing to own a woman, and it is another to have her within the bonds of an excellent mastery." <BR>-- p. 465 Magicians of Gor, John Norman</b></blockquote><P></font> | ||
| 79 | |||
| 80 | <font face="Times New Roman" color="#0D0146">It is natural to want to be owned. It is natural to desire to progress in your journey. But if that is your sole reason for begging a collar... kaylee would say the collar will be ill fitting. It is not the girl's agenda that counts. It is the owner's. It is not so much that a girl *wants* to be owned, but rather that when he claims her, she can deny it no longer. <P> | ||
| 81 | |||
| 82 | If you can walk away, if you can say no, if you can place your will above his, you are not enslaved to him. You are not owned, at least, not yet. Becoming owned may be the last choice of free will a slave may make, if she chooses it well.<P></font> | ||
| 83 | |||
| 84 | <blockquote><font color="#773A22"><B>"`Is it true she begged bondage,' asked Boabissia, `that she chose slavery of her own free will?'<BR> | ||
| 85 | `Yes,' I said.<BR> | ||
| 86 | `What a fool,' said Boabissia.<BR> | ||
| 87 | `Perhaps,' I said. To be sure, such a decision should not be made lightly. <BR>Such a decision may be made of one's own free will, <BR>but it cannot be revoked by one's own free will, <BR>for, after it is made, one is then helpless to alter or influence <BR>one's new condition in any way."<BR> | ||
| 88 | --pg.234, Mercenaries of Gor, John Norman</b></blockquote><P></font> | ||
| 89 | |||
| 90 | <font face="Times New Roman" color="#0D0146">Being owned can be the most fulfilling emotion for a woman, if the collar is right. It is something that cannot be explained unless it is experienced firsthand. But to become collared for the wrong reasons can strip away some of the significance until all that remains is a pretty necklace with little or no value.<P> | ||
| 91 | |||
| 92 | What these well meaning advisors to new slaves often forget to mention is that ownership is surrendering all rights to another. That includes the right to walk away when it becomes hard, or when you realise you might not know the person as well as you first thought you did with stars in your eyes. It means that you might have to face the consequences for a hasty, poorly thought out decision. It is more than falling in love, or trusting him with her heart.... a broken heart may heal. The steel may last longer than the infatuation. <P> | ||
| 93 | |||
| 94 | It is trusting him with her life. <P> | ||
| 95 | |||
| 96 | So listen to those who warn that Gor is dangerous without a collar... they are speaking of well meaning predators like themselves, who use the excuse of "protection" to collar a girl, and will discard you just as easily. Be one of the girls who 's need to belong to someone, anyone, is so great that it overrides all else, and collects various collars on her bedpost without actually knowing the depth of ownership. <P>But if you need a collar to validate the person you are - then look within - because there is something missing that a steel necklace cannot change.<P><BR><BR><BR></font> | ||
| 97 | <center><BR><BR> | ||
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| 100 | <font face="Times New Roman" color="#773A22" size=2><I>Words and page design �2001 kaylee<br> | ||
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| 18 | Link: <http://www.gor-on-earth.com:80/collar.htm>; rel="original", <http://web.archive.org/web/timemap/link/http://www.gor-on-earth.com:80/collar.htm>; rel="timemap"; type="application/link-format", <http://web.archive.org/web/http://www.gor-on-earth.com:80/collar.htm>; rel="timegate", <http://web.archive.org/web/20010918200958/http://www.gor-on-earth.com/collar.htm>; rel="first memento"; datetime="Tue, 18 Sep 2001 20:09:58 GMT", <http://web.archive.org/web/20030625082907/http://www.gor-on-earth.com/collar.htm>; rel="prev memento"; datetime="Wed, 25 Jun 2003 08:29:07 GMT", <http://web.archive.org/web/20030802011544/http://www.gor-on-earth.com/collar.htm>; rel="memento"; datetime="Sat, 02 Aug 2003 01:15:44 GMT", <http://web.archive.org/web/20031207024713/http://www.gor-on-earth.com/collar.htm>; rel="next memento"; datetime="Sun, 07 Dec 2003 02:47:13 GMT", <http://web.archive.org/web/20071201231141/http://www.gor-on-earth.com/collar.htm>; rel="last memento"; datetime="Sat, 01 Dec 2007 23:11:41 GMT" | ||
| 19 | last-modified: Wed, 30 Jul 2003 21:14:31 GMT | ||
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| 17 | Memento-Datetime: Fri, 13 Aug 2004 11:57:30 GMT | ||
| 18 | Link: <http://www.gor-on-earth.com:80/collar.htm>; rel="original", <http://web.archive.org/web/timemap/link/http://www.gor-on-earth.com:80/collar.htm>; rel="timemap"; type="application/link-format", <http://web.archive.org/web/http://www.gor-on-earth.com:80/collar.htm>; rel="timegate", <http://web.archive.org/web/20010918200958/http://www.gor-on-earth.com/collar.htm>; rel="first memento"; datetime="Tue, 18 Sep 2001 20:09:58 GMT", <http://web.archive.org/web/20040622064231/http://www.gor-on-earth.com/collar.htm>; rel="prev memento"; datetime="Tue, 22 Jun 2004 06:42:31 GMT", <http://web.archive.org/web/20040813115730/http://www.gor-on-earth.com/collar.htm>; rel="memento"; datetime="Fri, 13 Aug 2004 11:57:30 GMT", <http://web.archive.org/web/20041012010551/http://www.gor-on-earth.com/collar.htm>; rel="next memento"; datetime="Tue, 12 Oct 2004 01:05:51 GMT", <http://web.archive.org/web/20071201231141/http://www.gor-on-earth.com/collar.htm>; rel="last memento"; datetime="Sat, 01 Dec 2007 23:11:41 GMT" | ||
| 19 | last-modified: Tue, 20 Jul 2004 23:09:11 GMT | ||
| 20 | X-Archive-Wayback-Perf: {"IndexLoad":263,"IndexQueryTotal":263,"RobotsCache":6,"RobotsFetchTotal":6,"RobotsTotal":6,"Total":346,"WArcResource":78} | ||
| 21 | 21 | X-Archive-Playback: 0 | X-Archive-Playback: 0 |
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| File copyright.htm changed (mode: 100644) (index 3d95535..1455352) | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
| 2 | <html> | ||
| 3 | <head> | ||
| 4 | <meta | ||
| 5 | name="generator" | ||
| 6 | content="HTML Tidy, see www.w3.org"> | ||
| 7 | <title>Gor on Earth: Copyright Policy</title> | ||
| 8 | <link | ||
| 9 | rel="stylesheet" | ||
| 10 | href="template.css" | ||
| 11 | type="text/css"> | ||
| 12 | <style | ||
| 13 | type="text/css"> | ||
| 14 | BODY { | ||
| 15 | scrollbar-face-color: #517088; | ||
| 16 | scrollbar-highlight-color: #69869D; | ||
| 17 | scrollbar-3dlight-color: #839FB4; | ||
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| 23 | |||
| 24 | P.quote { | ||
| 25 | text-align: left; | ||
| 26 | font-family: Times New Roman,serif; | ||
| 27 | font-size: 17px; | ||
| 28 | font-style: italic; | ||
| 29 | color:#F2E2BD} | ||
| 30 | |||
| 31 | --> | ||
| 32 | </style> | ||
| 33 | |||
| 34 | <meta | ||
| 35 | name="DESCRIPTION" | ||
| 36 | content=""> | ||
| 37 | <meta | ||
| 38 | name="keywords" | ||
| 39 | content=""> | ||
| 40 | <meta | ||
| 41 | name="robots" | ||
| 42 | content="index, follow"> | ||
| 43 | <meta | ||
| 44 | name="revisit" | ||
| 45 | content="14 days"> | ||
| 46 | </head> | ||
| 47 | <body | ||
| 48 | background="images/kaylee/background/midnightbg.jpg" | ||
| 49 | bgcolor="#FFFFFF" | ||
| 50 | text="#F9EDDA" | ||
| 51 | link="#D4BF95" | ||
| 52 | alink="#FFFFFF" | ||
| 53 | vlink="#FFFFFF"> | ||
| 54 | <basefont | ||
| 55 | face="Times New Roman" | ||
| 56 | size="4" | ||
| 57 | color="#F2E2BD"><br> | ||
| 58 | <br> | ||
| 59 | <div | ||
| 60 | align="center"> | ||
| 61 | <table | ||
| 62 | width="85%" | ||
| 63 | bgcolor="black" | ||
| 64 | summary="background" | ||
| 65 | border="2" | ||
| 66 | bordercolor="#F2E2BD" | ||
| 67 | cellpadding="0" | ||
| 68 | cellspacing="0"> | ||
| 69 | <tr> | ||
| 70 | <td><br> | ||
| 71 | <br> | ||
| 72 | <center><img | ||
| 73 | src="images/kaylee/title/copyrighttitle.gif" | ||
| 74 | alt="Copyright Policy" | ||
| 75 | border="0"></center> | ||
| 76 | |||
| 77 | <br> | ||
| 78 | <br> | ||
| 79 | <br> | ||
| 80 | <blockquote> | ||
| 81 | <p | ||
| 82 | class="quote">All essays on the Gor on Earth site are original. | ||
| 83 | If you find something you enjoy on this site, and would like to | ||
| 84 | share one of our essays with others, please feel free to | ||
| 85 | distribute the web address for the main site, or for the specific | ||
| 86 | essay.</p> | ||
| 87 | |||
| 88 | <p | ||
| 89 | class="quote">Reproducing or reprinting the essays without the | ||
| 90 | author's permission is a violation of copyright law. If you would | ||
| 91 | like to seek permission to reprint one of the essays, please <a | ||
| 92 | href="mailto:goronearth@yahoo.com">email</a> us. This policy | ||
| 93 | also covers any original web designs or cards created for this | ||
| 94 | site- they may not be used without permission- either the | ||
| 95 | graphics, or the original words.</p> | ||
| 96 | |||
| 97 | <p | ||
| 98 | class="quote">You may certainly quote from or refer to any of | ||
| 99 | the essays; a link to the original essay is required so others | ||
| 100 | can find the quote in its full context from the direct source. | ||
| 101 | Please, do not quote any of the e-cards with original words | ||
| 102 | without credit or permission.</p> | ||
| 103 | |||
| 104 | <p | ||
| 105 | class="quote">In several essays on this site, quotes are | ||
| 106 | provided from the text of the Gor books. Each of these quotes are | ||
| 107 | written by John Norman, the author of the Gor novels, and the | ||
| 108 | pages indicated in the source are from the original printing of | ||
| 109 | the series. The first seven books of the series were originally | ||
| 110 | published by Ballentine Books, Inc. and the remainder of the | ||
| 111 | series (books eight through twenty five) were published by DAW | ||
| 112 | Books. For more information on where to purchase the books, | ||
| 113 | please visit this <a | ||
| 114 | href="books.htm" | ||
| 115 | target="new">page.</a></p> | ||
| 116 | |||
| 117 | <br> | ||
| 118 | <br> | ||
| 119 | <center> | ||
| 120 | <p>For more information on copyright laws, please visit the | ||
| 121 | following links:</p> | ||
| 122 | |||
| 123 | <br> | ||
| 124 | <a | ||
| 125 | href="http://www.whatiscopyright.org/" | ||
| 126 | target="new"><img | ||
| 127 | src="images/kaylee/copylogosm2.gif" | ||
| 128 | border="0" | ||
| 129 | alt="What is copyright protection?"></a> <a | ||
| 130 | href="http://www.rightsforartists.com" | ||
| 131 | target="new"><img | ||
| 132 | src="images/kaylee/LogoRights177.gif" | ||
| 133 | border="0" | ||
| 134 | alt="Redistribution In Graphics Has To Stop!"></a><br> | ||
| 135 | </center> | ||
| 136 | |||
| 137 | <br> | ||
| 138 | <br> | ||
| 139 | <p | ||
| 140 | class="quote">If you wish to add a link from your site to Gor on | ||
| 141 | Earth, Reflections of the Soul, or Sanctuary: A Collection of | ||
| 142 | Slave Musings, please do. You're more than welcome to use these | ||
| 143 | logos as a link from your site to ours.</p> | ||
| 144 | |||
| 145 | <p | ||
| 146 | class="quote">Please right click on the graphic you like, and | ||
| 147 | "save as" to your own hard drive. If you have any questions | ||
| 148 | regarding this site's copyright policy or questions regarding the | ||
| 149 | banners, please feel free to <a | ||
| 150 | href="mailto:Gabriel@gor-on-earth.com">email us.</a></p> | ||
| 151 | |||
| 152 | <br> | ||
| 153 | <br> | ||
| 154 | <br> | ||
| 155 | <center><b>The correct linkback address is listed for each site | ||
| 156 | is listed.<br> | ||
| 157 | Please save to your own hard drive.<br> | ||
| 158 | <br> | ||
| 159 | <br> | ||
| 160 | Gor on Earth</b><br> | ||
| 161 | http://www.gor-on-earth.com<br> | ||
| 162 | <br> | ||
| 163 | <img | ||
| 164 | src="images/kaylee/buttons/goebanner1.jpg" | ||
| 165 | border="0" | ||
| 166 | alt="Logo"><br> | ||
| 167 | <br> | ||
| 168 | <img | ||
| 169 | src="images/kaylee/title/minigoe.jpg" | ||
| 170 | border="0" | ||
| 171 | alt="Logo"><br> | ||
| 172 | <br> | ||
| 173 | |||
| 174 | |||
| 175 | <table | ||
| 176 | width="50%" | ||
| 177 | bgcolor="black" | ||
| 178 | summary="background" | ||
| 179 | border="0" | ||
| 180 | bordercolor="#F2E2BD" | ||
| 181 | cellpadding="15" | ||
| 182 | cellspacing="0"> | ||
| 183 | <tr> | ||
| 184 | <td | ||
| 185 | align="center"><img | ||
| 186 | src="images/kaylee/buttons/goebutton.gif" | ||
| 187 | border="0" | ||
| 188 | alt="Logo"></td> | ||
| 189 | <td><img | ||
| 190 | src="images/kaylee/buttons/goebutton2.jpg" | ||
| 191 | border="0" | ||
| 192 | alt="Logo"></td> | ||
| 193 | </tr> | ||
| 194 | </table> | ||
| 195 | |||
| 196 | <br> | ||
| 197 | <br> | ||
| 198 | <br> | ||
| 199 | <br> | ||
| 200 | <b>Reflections of the Soul</b><br> | ||
| 201 | http://www.gor-on-earth.com/cards.htm<br> | ||
| 202 | <br> | ||
| 203 | <img | ||
| 204 | border="0" | ||
| 205 | src="images/kaylee/buttons/minirslogo.jpg" | ||
| 206 | alt="Reflections of the Soul Logo"><br> | ||
| 207 | <br> | ||
| 208 | <img | ||
| 209 | border="0" | ||
| 210 | src="images/kaylee/buttons/rsbutton.jpg" | ||
| 211 | alt="Reflections of the Soul Logo"><br> | ||
| 212 | <br> | ||
| 213 | <br> | ||
| 214 | <br> | ||
| 215 | <br> | ||
| 216 | <b>Sanctuary: a collection of slave musings</b><br> | ||
| 217 | http://www.gor-on-earth.com/kaylee.htm<br> | ||
| 218 | <br> | ||
| 219 | <img | ||
| 220 | border="1" | ||
| 221 | src="images/kaylee/buttons/sanctbanner.jpg" | ||
| 222 | alt="Sanctuary Logo"><br> | ||
| 223 | <br> | ||
| 224 | <br> | ||
| 225 | <br> | ||
| 226 | For other resources used in the creation of this site, visit our <a href="specialthanks.htm">'Special Thanks'</a> page. | ||
| 227 | <br> | ||
| 228 | <br> | ||
| 229 | </center> | ||
| 230 | </blockquote> | ||
| 231 | |||
| 232 | <center><a | ||
| 233 | href="essayindex.htm">Back to the Main Library</a></center> | ||
| 234 | |||
| 235 | <br> | ||
| 236 | <br> | ||
| 237 | <br> | ||
| 238 | <br> | ||
| 239 | </td> | ||
| 240 | </tr> | ||
| 241 | </table> | ||
| 242 | </div> | ||
| 243 | |||
| 244 | <br> | ||
| 245 | <br> | ||
| 246 | <br> | ||
| 247 | <br> | ||
| 248 | </body> | ||
| 249 | </html> | ||
| 250 | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
| 2 | <html> | ||
| 3 | <head> | ||
| 4 | <meta | ||
| 5 | name="generator" | ||
| 6 | content="HTML Tidy, see www.w3.org"> | ||
| 7 | <title>Gor on Earth: Copyright Policy</title> | ||
| 8 | <link | ||
| 9 | rel="stylesheet" | ||
| 10 | href="template.css" | ||
| 11 | type="text/css"> | ||
| 12 | <style | ||
| 13 | type="text/css"> | ||
| 14 | BODY { | ||
| 15 | scrollbar-face-color: #517088; | ||
| 16 | scrollbar-highlight-color: #69869D; | ||
| 17 | scrollbar-3dlight-color: #839FB4; | ||
| 18 | scrollbar-darkshadow-color: #033856; | ||
| 19 | scrollbar-shadow-color: #455E72; | ||
| 20 | scrollbar-arrow-color: #033856; | ||
| 21 | scrollbar-track-color: #033856; | ||
| 22 | } | ||
| 23 | |||
| 24 | P.quote { | ||
| 25 | text-align: left; | ||
| 26 | font-family: Times New Roman,serif; | ||
| 27 | font-size: 17px; | ||
| 28 | font-style: italic; | ||
| 29 | color:#F2E2BD} | ||
| 30 | |||
| 31 | --> | ||
| 32 | </style> | ||
| 33 | |||
| 34 | <meta | ||
| 35 | name="DESCRIPTION" | ||
| 36 | content=""> | ||
| 37 | <meta | ||
| 38 | name="keywords" | ||
| 39 | content=""> | ||
| 40 | <meta | ||
| 41 | name="robots" | ||
| 42 | content="index, follow"> | ||
| 43 | <meta | ||
| 44 | name="revisit" | ||
| 45 | content="14 days"> | ||
| 46 | </head> | ||
| 47 | <body | ||
| 48 | background="images/kaylee/background/midnightbg.jpg" | ||
| 49 | bgcolor="#FFFFFF" | ||
| 50 | text="#F9EDDA" | ||
| 51 | link="#D4BF95" | ||
| 52 | alink="#FFFFFF" | ||
| 53 | vlink="#FFFFFF"> | ||
| 54 | <basefont | ||
| 55 | face="Times New Roman" | ||
| 56 | size="4" | ||
| 57 | color="#F2E2BD"><br> | ||
| 58 | <br> | ||
| 59 | <div | ||
| 60 | align="center"> | ||
| 61 | <table | ||
| 62 | width="85%" | ||
| 63 | bgcolor="black" | ||
| 64 | summary="background" | ||
| 65 | border="2" | ||
| 66 | bordercolor="#F2E2BD" | ||
| 67 | cellpadding="0" | ||
| 68 | cellspacing="0"> | ||
| 69 | <tr> | ||
| 70 | <td><br> | ||
| 71 | <br> | ||
| 72 | <center><img | ||
| 73 | src="images/kaylee/title/copyrighttitle.gif" | ||
| 74 | alt="Copyright Policy" | ||
| 75 | border="0"></center> | ||
| 76 | |||
| 77 | <br> | ||
| 78 | <br> | ||
| 79 | <br> | ||
| 80 | <blockquote> | ||
| 81 | <p | ||
| 82 | class="quote">All essays on the Gor on Earth site are original. | ||
| 83 | If you find something you enjoy on this site, and would like to | ||
| 84 | share one of our essays with others, please feel free to | ||
| 85 | distribute the web address for the main site, or for the specific | ||
| 86 | essay.</p> | ||
| 87 | |||
| 88 | <p | ||
| 89 | class="quote">Reproducing or reprinting the essays without the | ||
| 90 | author's permission is a violation of copyright law. If you would | ||
| 91 | like to seek permission to reprint one of the essays, please <a | ||
| 92 | href="mailto:goronearth@yahoo.com">email</a> us. This policy | ||
| 93 | also covers any original web designs or cards created for this | ||
| 94 | site- they may not be used without permission- either the | ||
| 95 | graphics, or the original words.</p> | ||
| 96 | |||
| 97 | <p | ||
| 98 | class="quote">You may certainly quote from or refer to any of | ||
| 99 | the essays; a link to the original essay is required so others | ||
| 100 | can find the quote in its full context from the direct source. | ||
| 101 | Please, do not quote any of the e-cards with original words | ||
| 102 | without credit or permission.</p> | ||
| 103 | |||
| 104 | <p | ||
| 105 | class="quote">In several essays on this site, quotes are | ||
| 106 | provided from the text of the Gor books. Each of these quotes are | ||
| 107 | written by John Norman, the author of the Gor novels, and the | ||
| 108 | pages indicated in the source are from the original printing of | ||
| 109 | the series. The first seven books of the series were originally | ||
| 110 | published by Ballentine Books, Inc. and the remainder of the | ||
| 111 | series (books eight through twenty five) were published by DAW | ||
| 112 | Books. For more information on where to purchase the books, | ||
| 113 | please visit this <a | ||
| 114 | href="books.htm" | ||
| 115 | target="new">page.</a></p> | ||
| 116 | |||
| 117 | <br> | ||
| 118 | <br> | ||
| 119 | <center> | ||
| 120 | <p>For more information on copyright laws, please visit the | ||
| 121 | following links:</p> | ||
| 122 | |||
| 123 | <br> | ||
| 124 | <a | ||
| 125 | href="http://www.whatiscopyright.org/" | ||
| 126 | target="new"><img | ||
| 127 | src="images/kaylee/copylogosm2.gif" | ||
| 128 | border="0" | ||
| 129 | alt="What is copyright protection?"></a> <a | ||
| 130 | href="http://www.rightsforartists.com" | ||
| 131 | target="new"><img | ||
| 132 | src="images/kaylee/LogoRights177.gif" | ||
| 133 | border="0" | ||
| 134 | alt="Redistribution In Graphics Has To Stop!"></a><br> | ||
| 135 | </center> | ||
| 136 | |||
| 137 | <br> | ||
| 138 | <br> | ||
| 139 | <p | ||
| 140 | class="quote">If you wish to add a link from your site to Gor on | ||
| 141 | Earth, Reflections of the Soul, or Sanctuary: A Collection of | ||
| 142 | Slave Musings, please do. You're more than welcome to use these | ||
| 143 | logos as a link from your site to ours.</p> | ||
| 144 | |||
| 145 | <p | ||
| 146 | class="quote">Please right click on the graphic you like, and | ||
| 147 | "save as" to your own hard drive. If you have any questions | ||
| 148 | regarding this site's copyright policy or questions regarding the | ||
| 149 | banners, please feel free to <a | ||
| 150 | href="mailto:Gabriel@gor-on-earth.com">email us.</a></p> | ||
| 151 | |||
| 152 | <br> | ||
| 153 | <br> | ||
| 154 | <br> | ||
| 155 | <center><b>The correct linkback address is listed for each site | ||
| 156 | is listed.<br> | ||
| 157 | Please save to your own hard drive.<br> | ||
| 158 | <br> | ||
| 159 | <br> | ||
| 160 | Gor on Earth</b><br> | ||
| 161 | http://www.gor-on-earth.com<br> | ||
| 162 | <br> | ||
| 163 | <img | ||
| 164 | src="images/kaylee/buttons/goebanner1.jpg" | ||
| 165 | border="0" | ||
| 166 | alt="Logo"><br> | ||
| 167 | <br> | ||
| 168 | <img | ||
| 169 | src="images/kaylee/title/minigoe.jpg" | ||
| 170 | border="0" | ||
| 171 | alt="Logo"><br> | ||
| 172 | <br> | ||
| 173 | |||
| 174 | |||
| 175 | <table | ||
| 176 | width="50%" | ||
| 177 | bgcolor="black" | ||
| 178 | summary="background" | ||
| 179 | border="0" | ||
| 180 | bordercolor="#F2E2BD" | ||
| 181 | cellpadding="15" | ||
| 182 | cellspacing="0"> | ||
| 183 | <tr> | ||
| 184 | <td | ||
| 185 | align="center"><img | ||
| 186 | src="images/kaylee/buttons/goebutton.gif" | ||
| 187 | border="0" | ||
| 188 | alt="Logo"></td> | ||
| 189 | <td><img | ||
| 190 | src="images/kaylee/buttons/goebutton2.jpg" | ||
| 191 | border="0" | ||
| 192 | alt="Logo"></td> | ||
| 193 | </tr> | ||
| 194 | </table> | ||
| 195 | |||
| 196 | <br> | ||
| 197 | <br> | ||
| 198 | <br> | ||
| 199 | <br> | ||
| 200 | <b>Reflections of the Soul</b><br> | ||
| 201 | http://www.gor-on-earth.com/cards.htm<br> | ||
| 202 | <br> | ||
| 203 | <img | ||
| 204 | border="0" | ||
| 205 | src="images/kaylee/buttons/minirslogo.jpg" | ||
| 206 | alt="Reflections of the Soul Logo"><br> | ||
| 207 | <br> | ||
| 208 | <img | ||
| 209 | border="0" | ||
| 210 | src="images/kaylee/buttons/rsbutton.jpg" | ||
| 211 | alt="Reflections of the Soul Logo"><br> | ||
| 212 | <br> | ||
| 213 | <br> | ||
| 214 | <br> | ||
| 215 | <br> | ||
| 216 | <b>Sanctuary: a collection of slave musings</b><br> | ||
| 217 | http://www.gor-on-earth.com/kaylee.htm<br> | ||
| 218 | <br> | ||
| 219 | <img | ||
| 220 | border="1" | ||
| 221 | src="images/kaylee/buttons/sanctbanner.jpg" | ||
| 222 | alt="Sanctuary Logo"><br> | ||
| 223 | <br> | ||
| 224 | <br> | ||
| 225 | <br> | ||
| 226 | For other resources used in the creation of this site, visit our <a href="specialthanks.htm">'Special Thanks'</a> page. | ||
| 227 | <br> | ||
| 228 | <br> | ||
| 229 | </center> | ||
| 230 | </blockquote> | ||
| 231 | |||
| 232 | <center><a | ||
| 233 | href="essayindex.htm">Back to the Main Library</a></center> | ||
| 234 | |||
| 235 | <br> | ||
| 236 | <br> | ||
| 237 | <br> | ||
| 238 | <br> | ||
| 239 | </td> | ||
| 240 | </tr> | ||
| 241 | </table> | ||
| 242 | </div> | ||
| 243 | |||
| 244 | <br> | ||
| 245 | <br> | ||
| 246 | <br> | ||
| 247 | <br> | ||
| 248 | </body> | ||
| 249 | </html> | ||
| 250 | |||
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| 1 | GET /web/20040806174445id_/http://gor-on-earth.com:80/copyright.htm HTTP/1.1 | ||
| 2 | 2 | Host: web.archive.org | Host: web.archive.org |
| 3 | 3 | Connection: keep-alive | Connection: keep-alive |
| 4 | 4 | Upgrade-Insecure-Requests: 1 | Upgrade-Insecure-Requests: 1 |
| ... | ... | Accept-Language: en-US,en;q=0.8 | |
| 9 | 9 | ||
| 10 | 10 | HTTP/1.1 200 OK | HTTP/1.1 200 OK |
| 11 | 11 | Server: Tengine/2.1.0 | Server: Tengine/2.1.0 |
| 12 | Date: Thu, 13 Apr 2017 15:48:07 GMT | ||
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| ... | ... | color:white; | |
| 31 | 31 | <meta | <meta |
| 32 | 32 | name="DESCRIPTION" | name="DESCRIPTION" |
| 33 | 33 | content= | content= |
| 34 | "A collection of essays discussing the Gorean philosophy as depicted in John Norman's Gor series and it' application in everyday life here on Earth"> | ||
| 34 | "A collection of essays discussing the Gorean philosophy as depicted in John Norman's Gor series and it' application in everyday life here on Earth. Special sections include enslavement, lifestyle; also excellent resource section and eCards."> | ||
| 35 | 35 | <meta | <meta |
| 36 | 36 | name="keywords" | name="keywords" |
| 37 | 37 | content= | content= |
| 38 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Master,slave"> | ||
| 38 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Master,slave,kajira, ecards"> | ||
| 39 | 39 | <meta | <meta |
| 40 | 40 | name="robots" | name="robots" |
| 41 | 41 | content="index, follow"> | content="index, follow"> |
| ... | ... | visit the Slave Musings section of this site.</p> | |
| 397 | 397 | <p | <p |
| 398 | 398 | class="title">Human Nature</p> | class="title">Human Nature</p> |
| 399 | 399 | ||
| 400 | <b><a | ||
| 401 | href="naturestatus.htm">Nature vs. Status</a></b><br> | ||
| 400 | <a | ||
| 401 | href="naturestatus.htm">Nature vs. Status</a><br> | ||
| 402 | 402 | <a | <a |
| 403 | 403 | href="unmastered.htm">Owned but Unmastered</a><br> | href="unmastered.htm">Owned but Unmastered</a><br> |
| 404 | 404 | <i><a | <i><a |
| ... | ... | visit the Slave Musings section of this site.</p> | |
| 423 | 423 | <p | <p |
| 424 | 424 | class="title">Lifestyle</p> | class="title">Lifestyle</p> |
| 425 | 425 | ||
| 426 | <b><a | ||
| 427 | href="mainstream.htm">Gor in the Mainstream</a></b><br> | ||
| 426 | <a | ||
| 427 | href="mainstream.htm">Gor in the Mainstream</a><br> | ||
| 428 | 428 | <a | <a |
| 429 | 429 | href="marking.htm">Slave Markings</a><br> | href="marking.htm">Slave Markings</a><br> |
| 430 | 430 | <i><a | <i><a |
| ... | ... | visit the Slave Musings section of this site.</p> | |
| 452 | 452 | <br> | <br> |
| 453 | 453 | <p | <p |
| 454 | 454 | class="title">Enslavement</p> | class="title">Enslavement</p> |
| 455 | |||
| 456 | <i><b><a | ||
| 455 | <i><b><a | ||
| 456 | href="gift.htm" | ||
| 457 | target="new">The 'Gift'</a></b></i><br> | ||
| 458 | <i><b><a | ||
| 459 | href="lib.htm" | ||
| 460 | target="new">Women's lib and the submissive female</a></b></i><br> | ||
| 461 | <i><b><a | ||
| 462 | href="envy.htm" | ||
| 463 | target="new">Jealousy and Envy</a></b></i><br> | ||
| 464 | <i><a | ||
| 457 | 465 | href="cornerstones.htm" | href="cornerstones.htm" |
| 458 | target="new">Cornerstones</a></b></i><br> | ||
| 466 | target="new">Cornerstones</a></i><br> | ||
| 459 | 467 | <i><a | <i><a |
| 460 | 468 | href="collar.htm" | href="collar.htm" |
| 461 | 469 | target="new">A Necklace of Steel</a></i><br> | target="new">A Necklace of Steel</a></i><br> |
| ... | ... | visit the Slave Musings section of this site.</p> | |
| 515 | 523 | <p | <p |
| 516 | 524 | class="title">Online Gor</p> | class="title">Online Gor</p> |
| 517 | 525 | ||
| 526 | <b><i><a | ||
| 527 | href="value.htm">Measuring One's Value</a></i></b><br> | ||
| 518 | 528 | <i><a | <i><a |
| 519 | 529 | href="letter.htm">Letter to a new girl</a></i><br> | href="letter.htm">Letter to a new girl</a></i><br> |
| 520 | 530 | <a | <a |
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| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 3.2//EN"> | ||
| 1 | 2 | <html> | <html> |
| 2 | <head><title>Gor on Earth</title></head> | ||
| 3 | <body bgcolor="#000000" link="tan" vlink="tan"> | ||
| 4 | <basefont face="Times new roman" size=4 color="tan"> | ||
| 5 | <font face="Times New Roman" size=4 color="#FDE9CD"> | ||
| 6 | <p> | ||
| 7 | <blockquote> | ||
| 8 | <META NAME="DESCRIPTION" CONTENT="A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
| 9 | <META NAME="keywords" CONTENT="Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Gorean slavery"> | ||
| 10 | <center><img border=0 src="/images/kaylee/goronearthbanner.jpg" alt="Welcome to Gor on Earth"><BR><BR><BR><BR> | ||
| 11 | <img src="/images/kaylee/welcometogoe.jpg"><BR><BR></center> | ||
| 12 | <table width=95% align=right><tr><TD align = "center"> | ||
| 13 | <tr> | ||
| 14 | <td valign=top> | ||
| 15 | <center> | ||
| 16 | <font face="Times New Roman" size=4 color="#FDE9CD"> | ||
| 17 | This site is a library of essays written on Gorean philosophy, as it pertains to living this lifestyle on earth. No paga, no tarns, no Priest Kings. Just the ideals Norman laid out in his novels, to be lived on this world by real people.<P> | ||
| 18 | The essays are primarily addressed to an audience already familiar with the world and the ideas of the novels; while strangers to Gor might certainly enjoy or learn from them, they might find that the excellent <A HREF ="http://www.silkandsteel.com">Silk and Steel</A> website provides an incredible wealth of information about both the culture and the philosophies described in the Gor novels, which might be useful in providing context for the writings on this site. <P>The owner welcomes questions, comments, and submissions to the site. <BR>May you find the words here interesting and enlightening- enjoy!</font> | ||
| 19 | <BR><BR><BR><BR> | ||
| 20 | <form name="jump"> | ||
| 21 | <select name="menu"> | ||
| 22 | <option value="essayindex.htm">Main Library Index</option> | ||
| 23 | <option value="http://clubs.yahoo.com/clubs/goronearth">Gor on Earth Discussion Forum</option> | ||
| 24 | <option value="cards.htm">Elegant eCards for Master/slaves</option> | ||
| 25 | <option value="books.htm">Locating the Gor novels</option> | ||
| 26 | </select> | ||
| 27 | <input type="button" onClick="location=document.jump.menu.options[document.jump.menu.selectedIndex].value;" value="GO"> | ||
| 28 | </form> | ||
| 29 | <BR><BR><BR><BR><BR><BR> | ||
| 30 | <A HREF =mailto:Gabriel@gor-on-earth.com><img src="/images/goemailbtn.jpg" alt="Contact Gabriel"></A> <BR><P> | ||
| 31 | <font size=2 color=#FBF6DF><I> | ||
| 32 | artwork �2000-2001 www.arttoday.com <BR> page design �2001 kaylee</i> </font> | ||
| 33 | <BR><br><A HREF ="cards.htm"><img border=0 src="/images/kaylee/goersbtn.jpg" alt="E-Cards and Web Graphics by kaylee"></a> | ||
| 34 | <br><BR><BR><br><br><BR><BR> | ||
| 35 | <!-- START OF WEBTRENDS LIVE TAG --> | ||
| 36 | <!-- Copyright 1999-2000 WebTrends Corporation --> | ||
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| 19 | name="generator" | ||
| 20 | content="HTML Tidy, see www.w3.org"> | ||
| 21 | <title>Gor on Earth</title> | ||
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| 23 | name="DESCRIPTION" | ||
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| 25 | "A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
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| 28 | content= | ||
| 29 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Gorean slavery"> | ||
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| 39 | <script language="JavaScript"> | ||
| 56 | 40 | <!-- | <!-- |
| 57 | // Modification of this code is not allowed and will permanently disable your account! | ||
| 58 | // SiteName: Gor on Earth | ||
| 59 | var W="tagver=3&SiteId=82850&Sid=005-01-6-17-255727-82850&Tz=-500&firstwkday=sunday&Edition=personal&Button=11"; | ||
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| 66 | W+="&referrer="+escape(window.document.referrer); | ||
| 67 | W+="&appname="+escape(navigator.appName); | ||
| 68 | W+="&appversion="+escape(navigator.appVersion); | ||
| 69 | W+="&cookieOK="+(navigator.cookieEnabled?"Yes":"No"); | ||
| 70 | W+="&userLanguage="+(navigator.appName=="Netscape"?navigator.language:navigator.userLanguage); | ||
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| 77 | W+="&colorDepth="+screen.colorDepth; | ||
| 78 | W+="&NSpluginList="; | ||
| 79 | for( var i=0; i< navigator.plugins.length; i++) | ||
| 80 | W+=escape(navigator.plugins[i].name)+";"; | ||
| 41 | // No rightclick script | ||
| 42 | // � 2001 `kaylee | ||
| 43 | function click() { | ||
| 44 | if (event.button==2) { | ||
| 45 | alert('If this artwork touched your heart and you would like to send it to someone else, please visit the link below which will allow you to send it as an eCard. This work is protected by copyright �kaylee{G} 2001. All Rights Reserved. '); | ||
| 46 | } | ||
| 81 | 47 | } | } |
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| 84 | document.write('</A>'); | ||
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| 87 | <NOSCRIPT> | ||
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| 92 | <!-- END OF WEBTRENDS LIVE TAG --> | ||
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| 94 | </TD> | ||
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| 96 | </TABLE> | ||
| 97 | </blockquote> | ||
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| 50 | |||
| 51 | <br> | ||
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| 54 | <br> | ||
| 55 | <center><img | ||
| 56 | border="1" | ||
| 57 | src="/cards/newcards/silence.jpg" | ||
| 58 | alt="In memory of those lost"><br> | ||
| 59 | <br> | ||
| 60 | <br> | ||
| 61 | <br> | ||
| 62 | <a | ||
| 63 | href="main.htm"><img | ||
| 64 | border="0" | ||
| 65 | src="/images/kaylee/buttons/enterflame.jpg" | ||
| 66 | alt="Enter the Gor on Earth site"></a><br> | ||
| 67 | <br> | ||
| 68 | <a | ||
| 69 | href= | ||
| 70 | "http://pub50.bravenet.com/postcard/post.php?usernum=4279220395" | ||
| 71 | target="new"><img | ||
| 72 | border="0" | ||
| 73 | src="/images/kaylee/buttons/ecardflame.jpg" | ||
| 74 | alt="share this card with someone"></a> | ||
| 75 | <br> | ||
| 76 | <br> | ||
| 77 | <br> | ||
| 78 | <br> | ||
| 79 | <br> | ||
| 80 | <br> | ||
| 81 | <br> | ||
| 82 | <br><font size="1">Some graphic elements are copyrighted artwork �2000-2001 www.arttoday.com and used with permission.</font></center> | ||
| 98 | 83 | </body> | </body> |
| 99 | 84 | </html> | </html> |
| 100 | 85 | ||
| 101 | |||
| 102 | |||
| 103 | |||
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| ... | ... | Logos, and other info</a><br> | |
| 277 | 277 | <a | <a |
| 278 | 278 | href="cards.htm">Reflections of the Soul: elegant eCards and | href="cards.htm">Reflections of the Soul: elegant eCards and |
| 279 | 279 | personalized web design</a><br> | personalized web design</a><br> |
| 280 | <a | ||
| 281 | href="aboutkaylee.htm">kaylee's bio</a><br> | ||
| 280 | 282 | <a | <a |
| 281 | 283 | href="awards.htm">Site Awards & WebRings</a><br> | href="awards.htm">Site Awards & WebRings</a><br> |
| 282 | 284 | <br> | <br> |
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| ... | ... | document.onmousedown=click | |
| 65 | 65 | <!-- ^- End pass-it-onGEAR Code -^ --><br> | <!-- ^- End pass-it-onGEAR Code -^ --><br> |
| 66 | 66 | <br> | <br> |
| 67 | 67 | <img | <img |
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| 68 | src="images/kaylee/lakajira.jpg"></center> | ||
| 69 | 69 | ||
| 70 | 70 | <br> | <br> |
| 71 | 71 | <br> | <br> |
| ... | ... | means to her.</i></font> | |
| 98 | 98 | <center><font | <center><font |
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| 100 | 100 | size="4"><i><img | size="4"><i><img |
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| 102 | 102 | ||
| 103 | 103 | <font | <font |
| 104 | 104 | color="#F9F8E5" | color="#F9F8E5" |
| ... | ... | yours.</i></font></p> | |
| 740 | 740 | size="4"><a | size="4"><a |
| 741 | 741 | href="kayindex.htm"><img | href="kayindex.htm"><img |
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| 743 | src="images/kaylee/boundhomebutton.jpg" | ||
| 744 | 744 | alt="kaylee's Sanctuary"></a><br> | alt="kaylee's Sanctuary"></a><br> |
| 745 | 745 | <br> | <br> |
| 746 | 746 | <a | <a |
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| 748 | 748 | border="0" | border="0" |
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| 750 | 750 | alt="Gor on Earth Index"></a><br> | alt="Gor on Earth Index"></a><br> |
| 751 | 751 | <br> | <br> |
| 752 | 752 | <br> | <br> |
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| 7 | <title>Gor on Earth: Realities of the Natural Order</title> | ||
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| 15 | "A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
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| 19 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Master,slave"> | ||
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| 55 | |||
| 56 | |||
| 57 | <center><img | ||
| 58 | src="images/kaylee/title/natordtitle.jpg" | ||
| 59 | height="130" | ||
| 60 | width="650" | ||
| 61 | alt="title"></center> | ||
| 62 | |||
| 63 | <br> | ||
| 64 | <br> | ||
| 65 | <img | ||
| 66 | src="images/kaylee/background/phryne.jpg" | ||
| 67 | align="right" | ||
| 68 | height="222" | ||
| 69 | width="250" | ||
| 70 | hspace="15" | ||
| 71 | alt="phryne"> | ||
| 72 | |||
| 73 | <p | ||
| 74 | class="bodytext">kaylee can only give her perspective on Natural | ||
| 75 | Order, and hope that she is pleasing in doing so, or taught where | ||
| 76 | her thinking becomes flawed. For kaylee... one of the most basic | ||
| 77 | tenets of Gorean philosophy is the celebration of gender | ||
| 78 | differences. Women are *not* men, nor vice versa. They are | ||
| 79 | different, and to suppress those differences is *unnatural*. | ||
| 80 | Thus, the two genders are not equals, never will be equal | ||
| 81 | naturally (although legally, depending on the culture, they may | ||
| 82 | enjoy the same rights), and when the society in itself creates a | ||
| 83 | system in which gender is separated in terms of rights and | ||
| 84 | status, well, the differences are even more apparent than in an | ||
| 85 | "all men, women, slaves are created equal" type society.</p> | ||
| 86 | |||
| 87 | <p | ||
| 88 | class="bodytext">This girl did not say that men are superior to | ||
| 89 | women, nor that in recognizing the differences in gender, women | ||
| 90 | are inferior to men. They are simply different. And while men are | ||
| 91 | built physically, rationally, or in other ways superior for some | ||
| 92 | things, there are attributes to women that *might* surpass the | ||
| 93 | men's abilities and attributes. However, at times, a woman's | ||
| 94 | strength might be greater than a weak males, or her eyesight | ||
| 95 | better, her own will stronger than a weaker person's or her | ||
| 96 | intelligence, etc.</p> | ||
| 97 | |||
| 98 | <center><img | ||
| 99 | src="images/kaylee/buttons/golddiv.jpg" | ||
| 100 | height="22" | ||
| 101 | width="389" | ||
| 102 | alt="divider"></center> | ||
| 103 | |||
| 104 | <br> | ||
| 105 | <br> | ||
| 106 | |||
| 107 | |||
| 108 | <p | ||
| 109 | class="bodytext">The natural order for Dominance and submission, | ||
| 110 | for kaylee is simple: a person yields to a force more dominant, | ||
| 111 | and controls what naturally submits under it. It was stated in a | ||
| 112 | discussion forum: "It can be argued that Males dominant this | ||
| 113 | group." kaylee would have to say that men are biologically more | ||
| 114 | strongly predisposed towards dominance, both physically and | ||
| 115 | emotionally.</p> | ||
| 116 | |||
| 117 | <p | ||
| 118 | class="bodytext">Ideally, all men would be strong. Even so... | ||
| 119 | there would be differences in the level of strengths. It is human | ||
| 120 | nature to have those variances.But Gor is not for the masses, in | ||
| 121 | this girl's opinion. Gor is about celebrating the exceptional | ||
| 122 | individual (the "survival of the fittest" theory). Strong men can | ||
| 123 | control strong women. Strong men control weaker men. Strong women | ||
| 124 | can control weaker men. And strong women control weaker women. | ||
| 125 | Perhaps that is how the concept of "first girl" can work so well, | ||
| 126 | because there are slaves who can assume the responsibility given | ||
| 127 | to them to exert control over the other girls of the chain in | ||
| 128 | order to serve their Owner better. It doesn't make them any less | ||
| 129 | of a slave for having that position, which is given to them (or | ||
| 130 | removed) at an Owner's discretion, and they are still, at all | ||
| 131 | times, subject to the Masters or Mistresses' mercy.</p> | ||
| 132 | |||
| 133 | <p | ||
| 134 | class="bodytext">It's a natural progression, without the | ||
| 135 | pretense of mass equality.</p> | ||
| 136 | |||
| 137 | <p | ||
| 138 | class="bodytext">The power exerted over someone can take the | ||
| 139 | form of financial, emotional, legal, or physical, amongst others. | ||
| 140 | Some forces may or may not be recognized in this culture here, | ||
| 141 | and represent a major difference from the books, where slavery | ||
| 142 | was a thriving, legally enforced social structure. It is | ||
| 143 | precisely that lack of power which keeps kaylee from kneeling | ||
| 144 | before her mailman, begging for the daily mail. (However, if he | ||
| 145 | exerted some other form of power, such as withholding the mail, | ||
| 146 | forcing her physically, or Master applying the force to make her | ||
| 147 | beg for it, she would do so.) Add in the everpresent force of a | ||
| 148 | slave's own innate desire to be pleasing, as well as to | ||
| 149 | relinquish control and surrender, and the result grows even | ||
| 150 | deeper.</p> | ||
| 151 | |||
| 152 | <center><img | ||
| 153 | src="images/kaylee/buttons/golddiv.jpg" | ||
| 154 | height="22" | ||
| 155 | width="389" | ||
| 156 | alt="divider"></center> | ||
| 157 | |||
| 158 | <br> | ||
| 159 | <br> | ||
| 160 | |||
| 161 | |||
| 162 | <p | ||
| 163 | class="bodytext">By entering a Gorean community, in which the | ||
| 164 | social structure does give free men and women power over slaves, | ||
| 165 | as they are at their mercy (to change names, be gagged, | ||
| 166 | disciplined, not allowed to express their slavery through | ||
| 167 | service), there is power given to those social classes which the | ||
| 168 | individual may or may not be able to command on his/her own. This | ||
| 169 | is particularly true for men, they retain more rights and powers | ||
| 170 | than a free woman does. Does kaylee's belly burn deeply for each | ||
| 171 | and every male, based on their own attributes? Not necessarily. | ||
| 172 | She used to watch other girls trembling at the feet of every man | ||
| 173 | the girl approached, and wondered... "am I not a slave? I don't | ||
| 174 | feel that." She felt even more confused particularly if the man | ||
| 175 | demonstrates he is yielding to the girl through his comments and | ||
| 176 | interactions, and yet, the girl still trembled. Perhaps kaylee is | ||
| 177 | just a "confident stride, sassy strut" kinda slave. ;) Except in | ||
| 178 | the presence of strong men, somehow she tends to have a | ||
| 179 | breathing, shivering problem that arises then.</p> | ||
| 180 | |||
| 181 | <center><img | ||
| 182 | src="images/kaylee/buttons/golddiv.jpg" | ||
| 183 | height="22" | ||
| 184 | width="389" | ||
| 185 | alt="divider"></center> | ||
| 186 | |||
| 187 | <br> | ||
| 188 | <br> | ||
| 189 | |||
| 190 | |||
| 191 | <p | ||
| 192 | class="bodytext">The question does arise: is kaylee practicing | ||
| 193 | selective slavery? she doesn't think so. Her belly burns without | ||
| 194 | a conscious decision on who to burn for. The strong who affect | ||
| 195 | her deeply... even if she doesn't want to burn for them... well, | ||
| 196 | she has no choice. It is deeper than she can fight and it is | ||
| 197 | *involuntary*. And because of the slave she is, she would not be | ||
| 198 | able to resist their will.</p> | ||
| 199 | |||
| 200 | <p | ||
| 201 | class="bodytext">This is why she normally answers that Gor is | ||
| 202 | about celebrating gender differences, and following the natural | ||
| 203 | progression of who one truly is, regardless of societal | ||
| 204 | constraints - instead of just applying the term "Natural | ||
| 205 | Order".</p> | ||
| 206 | |||
| 207 | <br> | ||
| 208 | <br> | ||
| 209 | <br> | ||
| 210 | <a | ||
| 211 | href="essayindex.htm"><img | ||
| 212 | border="0" | ||
| 213 | src="images/kaylee/buttons/button1.jpg" | ||
| 214 | alt="Back to the EssayIndex" | ||
| 215 | height="37" | ||
| 216 | width="162"></a> <a | ||
| 217 | href="discussion.htm"><img | ||
| 218 | border="0" | ||
| 219 | src="images/kaylee/buttons/button2.jpg" | ||
| 220 | alt="Visit the Discussion Forum" | ||
| 221 | height="37" | ||
| 222 | width="162"></a> <a | ||
| 223 | href="kayindex.htm"><img | ||
| 224 | border="0" | ||
| 225 | src="images/kaylee/buttons/button3.jpg" | ||
| 226 | alt="Index of Slave Essays" | ||
| 227 | height="37" | ||
| 228 | width="162"></a> <a | ||
| 229 | href="naturalorder.htm"><img | ||
| 230 | border="0" | ||
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| 233 | height="37" | ||
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| 235 | <center><a | ||
| 236 | href="links.htm"><img | ||
| 237 | border="0" | ||
| 238 | src="images/kaylee/buttons/button8.jpg" | ||
| 239 | alt="Other resources and recommended readings" | ||
| 240 | height="37" | ||
| 241 | width="162"></a> <a | ||
| 242 | href="books.htm"><img | ||
| 243 | border="0" | ||
| 244 | src="images/kaylee/buttons/button9.jpg" | ||
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| 246 | height="37" | ||
| 247 | width="162"></a> <a | ||
| 248 | href="copyright.htm"><img | ||
| 249 | border="0" | ||
| 250 | src="images/kaylee/buttons/button7.jpg" | ||
| 251 | alt="Copyright Policy and Linking Logos" | ||
| 252 | height="37" | ||
| 253 | width="162"></a><br> | ||
| 254 | <a | ||
| 255 | href="mailto:kaylee@gor-on-earth.com"><img | ||
| 256 | border="0" | ||
| 257 | src="images/kaylee/buttons/button4.jpg" | ||
| 258 | alt="Contact kaylee" | ||
| 259 | height="37" | ||
| 260 | width="162"></a><a | ||
| 261 | href="cards.htm" | ||
| 262 | target="new"><img | ||
| 263 | border="0" | ||
| 264 | src="images/kaylee/buttons/button10.jpg" | ||
| 265 | alt="Reflections of the Soul eCards" | ||
| 266 | height="37" | ||
| 267 | width="162"></a></center> | ||
| 268 | |||
| 269 | <br> | ||
| 270 | <br> | ||
| 271 | <center>This page features the painting <i>Phryné before | ||
| 272 | the Areopagus</i> by Jean-Léon | ||
| 273 | Gérôme.</center> | ||
| 274 | |||
| 275 | <br> | ||
| 276 | |||
| 277 | |||
| 278 | <p | ||
| 279 | class="copyright">All rights reserved. © Copyright 2000 | ||
| 280 | kaylee<br>No reproduction permitted. <a href="copyright.htm" target="new">Copyright Policy</a></p> | ||
| 281 | </td> | ||
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| 299 | |||
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| 16 | <meta | ||
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| 19 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Master,slave"> | ||
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| 56 | |||
| 57 | <center><img | ||
| 58 | src="images/kaylee/title/natordtitle.jpg" | ||
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| 60 | width="650" | ||
| 61 | alt="title"></center> | ||
| 62 | |||
| 63 | <br> | ||
| 64 | <br> | ||
| 65 | <img | ||
| 66 | src="images/kaylee/background/phryne2.jpg" | ||
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| 71 | alt="phryne"> | ||
| 72 | |||
| 73 | <p | ||
| 74 | class="bodytext">kaylee can only give her perspective on Natural | ||
| 75 | Order, and hope that she is pleasing in doing so, or taught where | ||
| 76 | her thinking becomes flawed. For kaylee... one of the most basic | ||
| 77 | tenets of Gorean philosophy is the celebration of gender | ||
| 78 | differences. Women are *not* men, nor vice versa. They are | ||
| 79 | different, and to suppress those differences is *unnatural*. | ||
| 80 | Thus, the two genders are not equals, never will be equal | ||
| 81 | naturally (although legally, depending on the culture, they may | ||
| 82 | enjoy the same rights), and when the society in itself creates a | ||
| 83 | system in which gender is separated in terms of rights and | ||
| 84 | status, well, the differences are even more apparent than in an | ||
| 85 | "all men, women, slaves are created equal" type society.</p> | ||
| 86 | |||
| 87 | <p | ||
| 88 | class="bodytext">This girl did not say that men are superior to | ||
| 89 | women, nor that in recognizing the differences in gender, women | ||
| 90 | are inferior to men. They are simply different. And while men are | ||
| 91 | built physically, rationally, or in other ways superior for some | ||
| 92 | things, there are attributes to women that *might* surpass the | ||
| 93 | men's abilities and attributes. However, at times, a woman's | ||
| 94 | strength might be greater than a weak males, or her eyesight | ||
| 95 | better, her own will stronger than a weaker person's or her | ||
| 96 | intelligence, etc.</p> | ||
| 97 | |||
| 98 | <center><img | ||
| 99 | src="images/kaylee/buttons/golddiv.jpg" | ||
| 100 | height="22" | ||
| 101 | width="389" | ||
| 102 | alt="divider"></center> | ||
| 103 | |||
| 104 | <br> | ||
| 105 | <br> | ||
| 106 | |||
| 107 | |||
| 108 | <p | ||
| 109 | class="bodytext">The natural order for Dominance and submission, | ||
| 110 | for kaylee is simple: a person yields to a force more dominant, | ||
| 111 | and controls what naturally submits under it. It was stated in a | ||
| 112 | discussion forum: "It can be argued that Males dominant this | ||
| 113 | group." kaylee would have to say that men are biologically more | ||
| 114 | strongly predisposed towards dominance, both physically and | ||
| 115 | emotionally.</p> | ||
| 116 | |||
| 117 | <p | ||
| 118 | class="bodytext">Ideally, all men would be strong. Even so... | ||
| 119 | there would be differences in the level of strengths. It is human | ||
| 120 | nature to have those variances.But Gor is not for the masses, in | ||
| 121 | this girl's opinion. Gor is about celebrating the exceptional | ||
| 122 | individual (the "survival of the fittest" theory). Strong men can | ||
| 123 | control strong women. Strong men control weaker men. Strong women | ||
| 124 | can control weaker men. And strong women control weaker women. | ||
| 125 | Perhaps that is how the concept of "first girl" can work so well, | ||
| 126 | because there are slaves who can assume the responsibility given | ||
| 127 | to them to exert control over the other girls of the chain in | ||
| 128 | order to serve their Owner better. It doesn't make them any less | ||
| 129 | of a slave for having that position, which is given to them (or | ||
| 130 | removed) at an Owner's discretion, and they are still, at all | ||
| 131 | times, subject to the Masters or Mistresses' mercy.</p> | ||
| 132 | |||
| 133 | <p | ||
| 134 | class="bodytext">It's a natural progression, without the | ||
| 135 | pretense of mass equality.</p> | ||
| 136 | |||
| 137 | <p | ||
| 138 | class="bodytext">The power exerted over someone can take the | ||
| 139 | form of financial, emotional, legal, or physical, amongst others. | ||
| 140 | Some forces may or may not be recognized in this culture here, | ||
| 141 | and represent a major difference from the books, where slavery | ||
| 142 | was a thriving, legally enforced social structure. It is | ||
| 143 | precisely that lack of power which keeps kaylee from kneeling | ||
| 144 | before her mailman, begging for the daily mail. (However, if he | ||
| 145 | exerted some other form of power, such as withholding the mail, | ||
| 146 | forcing her physically, or Master applying the force to make her | ||
| 147 | beg for it, she would do so.) Add in the everpresent force of a | ||
| 148 | slave's own innate desire to be pleasing, as well as to | ||
| 149 | relinquish control and surrender, and the result grows even | ||
| 150 | deeper.</p> | ||
| 151 | |||
| 152 | <center><img | ||
| 153 | src="images/kaylee/buttons/golddiv.jpg" | ||
| 154 | height="22" | ||
| 155 | width="389" | ||
| 156 | alt="divider"></center> | ||
| 157 | |||
| 158 | <br> | ||
| 159 | <br> | ||
| 160 | |||
| 161 | |||
| 162 | <p | ||
| 163 | class="bodytext">By entering a Gorean community, in which the | ||
| 164 | social structure does give free men and women power over slaves, | ||
| 165 | as they are at their mercy (to change names, be gagged, | ||
| 166 | disciplined, not allowed to express their slavery through | ||
| 167 | service), there is power given to those social classes which the | ||
| 168 | individual may or may not be able to command on his/her own. This | ||
| 169 | is particularly true for men, they retain more rights and powers | ||
| 170 | than a free woman does. Does kaylee's belly burn deeply for each | ||
| 171 | and every male, based on their own attributes? Not necessarily. | ||
| 172 | She used to watch other girls trembling at the feet of every man | ||
| 173 | the girl approached, and wondered... "am I not a slave? I don't | ||
| 174 | feel that." She felt even more confused particularly if the man | ||
| 175 | demonstrates he is yielding to the girl through his comments and | ||
| 176 | interactions, and yet, the girl still trembled. Perhaps kaylee is | ||
| 177 | just a "confident stride, sassy strut" kinda slave. ;) Except in | ||
| 178 | the presence of strong men, somehow she tends to have a | ||
| 179 | breathing, shivering problem that arises then.</p> | ||
| 180 | |||
| 181 | <center><img | ||
| 182 | src="images/kaylee/buttons/golddiv.jpg" | ||
| 183 | height="22" | ||
| 184 | width="389" | ||
| 185 | alt="divider"></center> | ||
| 186 | |||
| 187 | <br> | ||
| 188 | <br> | ||
| 189 | |||
| 190 | |||
| 191 | <p | ||
| 192 | class="bodytext">The question does arise: is kaylee practicing | ||
| 193 | selective slavery? she doesn't think so. Her belly burns without | ||
| 194 | a conscious decision on who to burn for. The strong who affect | ||
| 195 | her deeply... even if she doesn't want to burn for them... well, | ||
| 196 | she has no choice. It is deeper than she can fight and it is | ||
| 197 | *involuntary*. And because of the slave she is, she would not be | ||
| 198 | able to resist their will.</p> | ||
| 199 | |||
| 200 | <p | ||
| 201 | class="bodytext">This is why she normally answers that Gor is | ||
| 202 | about celebrating gender differences, and following the natural | ||
| 203 | progression of who one truly is, regardless of societal | ||
| 204 | constraints - instead of just applying the term "Natural | ||
| 205 | Order".</p> | ||
| 206 | |||
| 207 | <br> | ||
| 208 | <br> | ||
| 209 | <br> | ||
| 210 | <a | ||
| 211 | href="essayindex.htm"><img | ||
| 212 | border="0" | ||
| 213 | src="images/kaylee/buttons/button1.jpg" | ||
| 214 | alt="Back to the EssayIndex" | ||
| 215 | height="37" | ||
| 216 | width="162"></a> <a | ||
| 217 | href="discussion.htm"><img | ||
| 218 | border="0" | ||
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| 220 | alt="Visit the Discussion Forum" | ||
| 221 | height="37" | ||
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| 223 | href="kayindex.htm"><img | ||
| 224 | border="0" | ||
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| 226 | alt="Index of Slave Essays" | ||
| 227 | height="37" | ||
| 228 | width="162"></a> <a | ||
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| 240 | height="37" | ||
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| 261 | href="cards.htm" | ||
| 262 | target="new"><img | ||
| 263 | border="0" | ||
| 264 | src="images/kaylee/buttons/button10.jpg" | ||
| 265 | alt="Reflections of the Soul eCards" | ||
| 266 | height="37" | ||
| 267 | width="162"></a></center> | ||
| 268 | |||
| 269 | <br> | ||
| 270 | <br> | ||
| 271 | <center>This page features the painting <i>Phryné before | ||
| 272 | the Areopagus</i> by Jean-Léon | ||
| 273 | Gérôme.</center> | ||
| 274 | |||
| 275 | <br> | ||
| 276 | |||
| 277 | |||
| 278 | <p | ||
| 279 | class="copyright">All rights reserved. © Copyright 2000 | ||
| 280 | kaylee<br>No reproduction permitted. <a href="copyright.htm" target="new">Copyright Policy</a></p> | ||
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| 54 | <br> | ||
| 55 | <basefont | ||
| 56 | face="Times New Roman" | ||
| 57 | size="4" | ||
| 58 | color="#296D5B"> | ||
| 59 | <center> | ||
| 60 | <div | ||
| 61 | align="center"> | ||
| 62 | <table | ||
| 63 | border="2" | ||
| 64 | bgcolor="#E8DAB3" | ||
| 65 | summary= | ||
| 66 | "This table provides a colored background for the main body of the text." | ||
| 67 | cellpadding="35" | ||
| 68 | cellspacing="0" | ||
| 69 | width="750"> | ||
| 70 | <tr> | ||
| 71 | <td | ||
| 72 | width="100%"><br> | ||
| 73 | |||
| 74 | |||
| 75 | <center><img | ||
| 76 | src="images/kaylee/title/simulationtitle.gif" | ||
| 77 | height="367" | ||
| 78 | width="367" | ||
| 79 | alt="title"></center> | ||
| 80 | |||
| 81 | <br> | ||
| 82 | <br> | ||
| 83 | <center> | ||
| 84 | <p><i>"It's the fine line between simulating slavery and being | ||
| 85 | enslaved."</i></p> | ||
| 86 | </center> | ||
| 87 | |||
| 88 | <br> | ||
| 89 | |||
| 90 | |||
| 91 | <p><img | ||
| 92 | src="images/kaylee/background/gbgbullet.gif" | ||
| 93 | align="left" | ||
| 94 | height="37" | ||
| 95 | width="58" | ||
| 96 | hspace="0" | ||
| 97 | alt="bullet">This statement is not speaking of slave nature, but | ||
| 98 | of enslavement, and having known both sides of the screen... | ||
| 99 | kaylee would stand by that statement. Simulation is a healthy and | ||
| 100 | profoundly meaningful way to create an environment to explore | ||
| 101 | various aspects of slavery in a safe way, with all the emotions | ||
| 102 | that it invokes. She is not saying that those who are online only | ||
| 103 | are any less than slave in nature or that the emotions are not | ||
| 104 | real, quite the opposite. But the actual state of enslavement, in | ||
| 105 | that case, you cannot know as long as you have the safety of | ||
| 106 | being online in your exploration of slavery.</p> | ||
| 107 | |||
| 108 | <p>kaylee does not own property, including her own car, money, or | ||
| 109 | clothes. She could not leave the home permanently, due to this | ||
| 110 | very reason (not even enough money to fill up with more than one | ||
| 111 | full tank of gas), even if she wanted to. She cannot buy the | ||
| 112 | little things she used to when she had her own money, such as a | ||
| 113 | favorite brand of shampoo, or food, or clothing, and if she is | ||
| 114 | given the right to have her own bank account or purchase items, | ||
| 115 | it is as a convenience to him more than anything else. He's there | ||
| 116 | to enforce his preferences, whether it is quitting smoking, | ||
| 117 | caffiene, meat, etc.</p> | ||
| 118 | |||
| 119 | <p><img | ||
| 120 | src="images/kaylee/background/gbgbullet.gif" | ||
| 121 | align="left" | ||
| 122 | height="37" | ||
| 123 | width="58" | ||
| 124 | hspace="0" | ||
| 125 | alt="bullet">She has been marked permanently and has been told | ||
| 126 | that she can/will be marked with permanent penalty markings as he | ||
| 127 | chooses. Her choices in career are entirely up to him now, with a | ||
| 128 | real means of enforcing his choices.</p> | ||
| 129 | |||
| 130 | <p>This is all the time and it does have some challenges that the | ||
| 131 | online medium itself does not address. There's no erasing what | ||
| 132 | you type in before you post, there's no break because you had a | ||
| 133 | bad day and you can go unwind before logging on, and there is no | ||
| 134 | X key at the top of your screen. There's not even that split | ||
| 135 | second of pausing before you hit the enter key. You take the | ||
| 136 | consequences for what you do, and you cannot avoid them or even | ||
| 137 | have the option of not logging on, hiding on icq, or changing | ||
| 138 | your name.</p> | ||
| 139 | |||
| 140 | <p><img | ||
| 141 | src="images/kaylee/background/gbgbullet.gif" | ||
| 142 | align="left" | ||
| 143 | height="37" | ||
| 144 | width="58" | ||
| 145 | hspace="0" | ||
| 146 | alt="bullet">That being said... online does provide a safe and | ||
| 147 | fulfilling means to explore, through the simulation of various | ||
| 148 | aspects of slavery, including the different status of being | ||
| 149 | property, a slave's lack of owning property, body modifications, | ||
| 150 | punishment, being sold or traded. These situations can be | ||
| 151 | simulated, the same way we simulate a dance, or serving a drink. | ||
| 152 | We get out of it what we put into it, for example: if we | ||
| 153 | disregard the commands given online that might affect us offline | ||
| 154 | (ie, chit chatting in PMs while giving a Master her "full | ||
| 155 | attention", or not following punishment orders...) then we miss | ||
| 156 | the emotions that can be drawn out of such an experience. The | ||
| 157 | same can be said for exploring slavery online.</p> | ||
| 158 | |||
| 159 | <p>The difference is a very fine line, but a very real one.</p> | ||
| 160 | |||
| 161 | <p><img | ||
| 162 | src="images/kaylee/background/gbgbullet.gif" | ||
| 163 | align="left" | ||
| 164 | height="37" | ||
| 165 | width="58" | ||
| 166 | hspace="0" | ||
| 167 | alt="bullet">Others have the ability to come online or log off, | ||
| 168 | to answer the phone when he calls. The few moments you can walk | ||
| 169 | off and breathe deeply, and compose yourself if upset. The | ||
| 170 | financial ability to travel away from your home if you wished. | ||
| 171 | The fact that you do it willingly as a slave does not matter, | ||
| 172 | because the *option* is there and in that is a certain safety | ||
| 173 | cushion.</p> | ||
| 174 | |||
| 175 | <p>But when push comes to shove... online only cannot enforce his | ||
| 176 | will over yours if you are not willing.</p> | ||
| 177 | |||
| 178 | <p><img | ||
| 179 | src="images/kaylee/background/gbgbullet.gif" | ||
| 180 | align="left" | ||
| 181 | height="37" | ||
| 182 | width="58" | ||
| 183 | hspace="0" | ||
| 184 | alt="bullet">Simulation is never meant to be discussing a girl's | ||
| 185 | emotions, or slave nature, although those who don slavery as a | ||
| 186 | "role play" may simulate the nature, that is not why most of us | ||
| 187 | are here, and certainly would not apply. It is possible to get | ||
| 188 | incredibly realistic, and simulating slavery is *not* the same as | ||
| 189 | role playing, because the slave nature and emotions are | ||
| 190 | inherently present in all that you do.</p> | ||
| 191 | |||
| 192 | <p>It's not a matter of being "deeper" or more "slave", its just | ||
| 193 | the two situations are different from each other.</p> | ||
| 194 | |||
| 195 | <br> | ||
| 196 | <br> | ||
| 197 | <center><a | ||
| 198 | href="kayindex.htm"><img | ||
| 199 | border="0" | ||
| 200 | src="images/kaylee/buttons/simulationhome.gif" | ||
| 201 | alt="Back to the Sanctuary"></a></center> | ||
| 202 | |||
| 203 | <br> | ||
| 204 | <p | ||
| 205 | align="right"><font | ||
| 206 | size="2">All rights reserved. Graphic design and words � | ||
| 207 | Copyright 2001 kaylee<br> | ||
| 208 | Cannot be reproduced without the author's permission.</font></p> | ||
| 209 | </td> | ||
| 210 | </tr> | ||
| 211 | </table> | ||
| 212 | |||
| 213 | <br> | ||
| 214 | <br> | ||
| 215 | <center><font | ||
| 216 | size="2" | ||
| 217 | color="#E7DBB7">kaylee was generously permitted to feature | ||
| 218 | artwork by William Whitaker for this web graphic.<br> | ||
| 219 | To see more of his wonderful art, please visit his site at: <a | ||
| 220 | href="http://www.williamwhitaker.com/" | ||
| 221 | target="new">http://www.williamwhitaker.com</a><br> | ||
| 222 | Contact <a | ||
| 223 | href="mailto:kaylee@gor-on-earth.com">kaylee</a> if you are | ||
| 224 | interested in unique graphics created for your website.<br> | ||
| 225 | See <a | ||
| 226 | href="copyright.htm">this page</a> for our copyright | ||
| 227 | policy.</font></center> | ||
| 228 | |||
| 229 | <br> | ||
| 230 | <br> | ||
| 231 | <p><a | ||
| 232 | href="http://validator.w3.org/check/referer"><img | ||
| 233 | border="0" | ||
| 234 | src="http://www.gor-on-earth.com/images/valid-html401.gif" | ||
| 235 | alt="Valid HTML 4.01!" | ||
| 236 | height="31" | ||
| 237 | width="88"></a></p> | ||
| 238 | </div> | ||
| 239 | </center> | ||
| 240 | </body> | ||
| 241 | </html> | ||
| 242 | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
| 2 | <html> | ||
| 3 | <head> | ||
| 4 | <meta | ||
| 5 | name="generator" | ||
| 6 | content="HTML Tidy, see www.w3.org"> | ||
| 7 | <title>Slave Musings: Simulation of Slavery</title> | ||
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| 12 | scrollbar-face-color: #285E4D; | ||
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| 24 | </style> | ||
| 25 | |||
| 26 | <meta | ||
| 27 | name="DESCRIPTION" | ||
| 28 | content= | ||
| 29 | "A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
| 30 | <meta | ||
| 31 | http-equiv="Content-Type" | ||
| 32 | content="text/html; charset=utf-8"> | ||
| 33 | <meta | ||
| 34 | name="keywords" | ||
| 35 | content= | ||
| 36 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Master,slave"> | ||
| 37 | <meta | ||
| 38 | name="robots" | ||
| 39 | content="index, follow"> | ||
| 40 | <meta | ||
| 41 | name="revisit" | ||
| 42 | content="14 days"> | ||
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| 44 | <body | ||
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| 55 | <basefont | ||
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| 57 | size="4" | ||
| 58 | color="#296D5B"> | ||
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| 62 | <table | ||
| 63 | border="2" | ||
| 64 | bgcolor="#E8DAB3" | ||
| 65 | summary= | ||
| 66 | "This table provides a colored background for the main body of the text." | ||
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| 70 | <tr> | ||
| 71 | <td | ||
| 72 | width="100%"><br> | ||
| 73 | |||
| 74 | |||
| 75 | <center><img | ||
| 76 | src="images/kaylee/title/simulationtitle.gif" | ||
| 77 | height="367" | ||
| 78 | width="367" | ||
| 79 | alt="title"></center> | ||
| 80 | |||
| 81 | <br> | ||
| 82 | <br> | ||
| 83 | <center> | ||
| 84 | <p><i>"It's the fine line between simulating slavery and being | ||
| 85 | enslaved."</i></p> | ||
| 86 | </center> | ||
| 87 | |||
| 88 | <br> | ||
| 89 | |||
| 90 | |||
| 91 | <p><img | ||
| 92 | src="images/kaylee/background/gbgbullet.gif" | ||
| 93 | align="left" | ||
| 94 | height="37" | ||
| 95 | width="58" | ||
| 96 | hspace="0" | ||
| 97 | alt="bullet">This statement is not speaking of slave nature, but | ||
| 98 | of enslavement, and having known both sides of the screen... | ||
| 99 | kaylee would stand by that statement. Simulation is a healthy and | ||
| 100 | profoundly meaningful way to create an environment to explore | ||
| 101 | various aspects of slavery in a safe way, with all the emotions | ||
| 102 | that it invokes. She is not saying that those who are online only | ||
| 103 | are any less than slave in nature or that the emotions are not | ||
| 104 | real, quite the opposite. But the actual state of enslavement, in | ||
| 105 | that case, you cannot know as long as you have the safety of | ||
| 106 | being online in your exploration of slavery.</p> | ||
| 107 | |||
| 108 | <p>kaylee does not own property, including her own car, money, or | ||
| 109 | clothes. She could not leave the home permanently, due to this | ||
| 110 | very reason (not even enough money to fill up with more than one | ||
| 111 | full tank of gas), even if she wanted to. She cannot buy the | ||
| 112 | little things she used to when she had her own money, such as a | ||
| 113 | favorite brand of shampoo, or food, or clothing, and if she is | ||
| 114 | given the right to have her own bank account or purchase items, | ||
| 115 | it is as a convenience to him more than anything else. He's there | ||
| 116 | to enforce his preferences, whether it is quitting smoking, | ||
| 117 | caffiene, meat, etc.</p> | ||
| 118 | |||
| 119 | <p><img | ||
| 120 | src="images/kaylee/background/gbgbullet.gif" | ||
| 121 | align="left" | ||
| 122 | height="37" | ||
| 123 | width="58" | ||
| 124 | hspace="0" | ||
| 125 | alt="bullet">She has been marked permanently and has been told | ||
| 126 | that she can/will be marked with permanent penalty markings as he | ||
| 127 | chooses. Her choices in career are entirely up to him now, with a | ||
| 128 | real means of enforcing his choices.</p> | ||
| 129 | |||
| 130 | <p>This is all the time and it does have some challenges that the | ||
| 131 | online medium itself does not address. There's no erasing what | ||
| 132 | you type in before you post, there's no break because you had a | ||
| 133 | bad day and you can go unwind before logging on, and there is no | ||
| 134 | X key at the top of your screen. There's not even that split | ||
| 135 | second of pausing before you hit the enter key. You take the | ||
| 136 | consequences for what you do, and you cannot avoid them or even | ||
| 137 | have the option of not logging on, hiding on icq, or changing | ||
| 138 | your name.</p> | ||
| 139 | |||
| 140 | <p><img | ||
| 141 | src="images/kaylee/background/gbgbullet.gif" | ||
| 142 | align="left" | ||
| 143 | height="37" | ||
| 144 | width="58" | ||
| 145 | hspace="0" | ||
| 146 | alt="bullet">That being said... online does provide a safe and | ||
| 147 | fulfilling means to explore, through the simulation of various | ||
| 148 | aspects of slavery, including the different status of being | ||
| 149 | property, a slave's lack of owning property, body modifications, | ||
| 150 | punishment, being sold or traded. These situations can be | ||
| 151 | simulated, the same way we simulate a dance, or serving a drink. | ||
| 152 | We get out of it what we put into it, for example: if we | ||
| 153 | disregard the commands given online that might affect us offline | ||
| 154 | (ie, chit chatting in PMs while giving a Master her "full | ||
| 155 | attention", or not following punishment orders...) then we miss | ||
| 156 | the emotions that can be drawn out of such an experience. The | ||
| 157 | same can be said for exploring slavery online.</p> | ||
| 158 | |||
| 159 | <p>The difference is a very fine line, but a very real one.</p> | ||
| 160 | |||
| 161 | <p><img | ||
| 162 | src="images/kaylee/background/gbgbullet.gif" | ||
| 163 | align="left" | ||
| 164 | height="37" | ||
| 165 | width="58" | ||
| 166 | hspace="0" | ||
| 167 | alt="bullet">Others have the ability to come online or log off, | ||
| 168 | to answer the phone when he calls. The few moments you can walk | ||
| 169 | off and breathe deeply, and compose yourself if upset. The | ||
| 170 | financial ability to travel away from your home if you wished. | ||
| 171 | The fact that you do it willingly as a slave does not matter, | ||
| 172 | because the *option* is there and in that is a certain safety | ||
| 173 | cushion.</p> | ||
| 174 | |||
| 175 | <p>But when push comes to shove... online only cannot enforce his | ||
| 176 | will over yours if you are not willing.</p> | ||
| 177 | |||
| 178 | <p><img | ||
| 179 | src="images/kaylee/background/gbgbullet.gif" | ||
| 180 | align="left" | ||
| 181 | height="37" | ||
| 182 | width="58" | ||
| 183 | hspace="0" | ||
| 184 | alt="bullet">Simulation is never meant to be discussing a girl's | ||
| 185 | emotions, or slave nature, although those who don slavery as a | ||
| 186 | "role play" may simulate the nature, that is not why most of us | ||
| 187 | are here, and certainly would not apply. It is possible to get | ||
| 188 | incredibly realistic, and simulating slavery is *not* the same as | ||
| 189 | role playing, because the slave nature and emotions are | ||
| 190 | inherently present in all that you do.</p> | ||
| 191 | |||
| 192 | <p>It's not a matter of being "deeper" or more "slave", its just | ||
| 193 | the two situations are different from each other.</p> | ||
| 194 | |||
| 195 | <br> | ||
| 196 | <br> | ||
| 197 | <center><a | ||
| 198 | href="kayindex.htm"><img | ||
| 199 | border="0" | ||
| 200 | src="images/kaylee/buttons/simulationhome.gif" | ||
| 201 | alt="Back to the Sanctuary"></a></center> | ||
| 202 | |||
| 203 | <br> | ||
| 204 | <p | ||
| 205 | align="right"><font | ||
| 206 | size="2">All rights reserved. Graphic design and words � | ||
| 207 | Copyright 2001 kaylee<br> | ||
| 208 | Cannot be reproduced without the author's permission.</font></p> | ||
| 209 | </td> | ||
| 210 | </tr> | ||
| 211 | </table> | ||
| 212 | |||
| 213 | <br> | ||
| 214 | <br> | ||
| 215 | <center><font | ||
| 216 | size="2" | ||
| 217 | color="#E7DBB7">kaylee was generously permitted to feature | ||
| 218 | artwork by William Whitaker for this web graphic.<br> | ||
| 219 | To see more of his wonderful art, please visit his site at: <a | ||
| 220 | href="http://www.williamwhitaker.com/" | ||
| 221 | target="new">http://www.williamwhitaker.com</a><br> | ||
| 222 | Contact <a | ||
| 223 | href="mailto:kaylee@gor-on-earth.com">kaylee</a> if you are | ||
| 224 | interested in unique graphics created for your website.<br> | ||
| 225 | See <a | ||
| 226 | href="copyright.htm">this page</a> for our copyright | ||
| 227 | policy.</font></center> | ||
| 228 | |||
| 229 | <br> | ||
| 230 | <br> | ||
| 231 | <p><a | ||
| 232 | href="http://validator.w3.org/check/referer"><img | ||
| 233 | border="0" | ||
| 234 | src="http://www.gor-on-earth.com/images/valid-html401.gif" | ||
| 235 | alt="Valid HTML 4.01!" | ||
| 236 | height="31" | ||
| 237 | width="88"></a></p> | ||
| 238 | </div> | ||
| 239 | </center> | ||
| 240 | </body> | ||
| 241 | </html> | ||
| 242 | |||
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| 7 | <title>Gor on Earth: Sanctuary of Slave Musings</title> | ||
| 8 | <meta | ||
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| 11 | "A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
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| 13 | name="keywords" | ||
| 14 | content= | ||
| 15 | "Gor,consensual slavery, Gorean philosophy,Gorean lifestyle,Gorean slavery"> | ||
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| 56 | text-align: center; | ||
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| 78 | <div | ||
| 79 | align="center"><font | ||
| 80 | face="Times New Roman" | ||
| 81 | size="6" | ||
| 82 | color="#A9AFD4"><b><i>Useful Links for the Modern | ||
| 83 | Slave</i></b></font><br> | ||
| 84 | <br> | ||
| 85 | <div | ||
| 86 | align="center"> | ||
| 87 | <table | ||
| 88 | border="2" | ||
| 89 | bordercolor="#FFF7E0" | ||
| 90 | cellpadding="25" | ||
| 91 | cellspacing="0" | ||
| 92 | width="85%" | ||
| 93 | background="images/kaylee/mutedblue.jpg" | ||
| 94 | summary="this table provides a coloured background"> | ||
| 95 | <tr> | ||
| 96 | <td | ||
| 97 | width="70%"><br> | ||
| 98 | <br> | ||
| 99 | <table | ||
| 100 | border="0" | ||
| 101 | cellpadding="10" | ||
| 102 | cellspacing="10" | ||
| 103 | summary="this table is for structure"> | ||
| 104 | <tr> | ||
| 105 | <td | ||
| 106 | align="center"><img | ||
| 107 | src="images/kaylee/learning.gif" | ||
| 108 | alt="L'Esclave Blanche image"></td> | ||
| 109 | <td | ||
| 110 | align="left"><font | ||
| 111 | face="Times New Roman" | ||
| 112 | size="4" | ||
| 113 | color="#302A66"><b>A slave's life is mostly composed of patience | ||
| 114 | and study.<br> | ||
| 115 | <br> | ||
| 116 | Yes, study. If not with actual books, then following the example | ||
| 117 | of greater, senior slaves. Or learning every nuance of their | ||
| 118 | owner's character, so that they can more completely and | ||
| 119 | seamlessly offer themselves at the right time and in the right | ||
| 120 | manner.</b></font> <br> | ||
| 121 | <br> | ||
| 122 | <p | ||
| 123 | class="author">~Laura Antoniou~</p> | ||
| 124 | </td> | ||
| 125 | </tr> | ||
| 126 | </table> | ||
| 127 | |||
| 128 | <p | ||
| 129 | class="intro">Being a pleasure slave can often be one of the | ||
| 130 | most difficult tasks to learn. Not only must she be pleasing | ||
| 131 | sexually, but skilled in various areas to ensure her worth. | ||
| 132 | kaylee's learned from her experience that a pleasing slave could | ||
| 133 | also be an excellent cook, an intelligent conversationalist, up | ||
| 134 | to date on politics and able to speak of philosophies, well read, | ||
| 135 | able to dance, competent in games or sport, run a household, | ||
| 136 | handle herself in unfamiliar situations with ease, knowing the | ||
| 137 | delicate line between when being a slut is appropriate or | ||
| 138 | kneeling quietly, not wishing to interrupt.... in short, being | ||
| 139 | prepared for *anything* the Master might request that would | ||
| 140 | please him.</p> | ||
| 141 | |||
| 142 | <p | ||
| 143 | class="intro">There is always something new to learn. These | ||
| 144 | links are just a few of the practical sites which helped kaylee | ||
| 145 | develop skills or techniques in order to be more pleasing to her | ||
| 146 | owner. She hopes you enjoy browsing this library of useful | ||
| 147 | links.<br> | ||
| 148 | <br> | ||
| 149 | <br> | ||
| 150 | </p> | ||
| 151 | |||
| 152 | <center> | ||
| 153 | <p | ||
| 154 | class="title">Around the Home</p> | ||
| 155 | |||
| 156 | <p | ||
| 157 | class="links"><a | ||
| 158 | href="http://homepage.mac.com/darik/pages/carwash.html" | ||
| 159 | target="new">Car Wash Advice Page</a><br> | ||
| 160 | <a | ||
| 161 | href="http://www.organizetips.com" | ||
| 162 | target="new">Organizational Skills</a><br> | ||
| 163 | <a | ||
| 164 | href="http://www.mindtools.com/page5.html" | ||
| 165 | target="new">Time Management</a><br> | ||
| 166 | <a | ||
| 167 | href="http://www.barnesandnobleuniversity.com/bnu/" | ||
| 168 | target="new">Barnes and Noble online classes</a><br> | ||
| 169 | <br> | ||
| 170 | <br> | ||
| 171 | </p> | ||
| 172 | |||
| 173 | <p | ||
| 174 | class="title">More "Personal" Service</p> | ||
| 175 | |||
| 176 | <p | ||
| 177 | class="links"><a | ||
| 178 | href="http://www.hennapage.com/henna/" | ||
| 179 | target="new">The Henna Page</a><br> | ||
| 180 | <a | ||
| 181 | href="http://www.sexuality.org/erotmass.html" | ||
| 182 | target="new">Erotic Massage</a><br> | ||
| 183 | <a | ||
| 184 | href="http://newfrontier.com/nepal/" | ||
| 185 | target="new">Exploring Tantra</a><br> | ||
| 186 | <a | ||
| 187 | href="http://www.sexuality.org/l/sex/fellatio.html" | ||
| 188 | target="new">Guide to Performing Fellatio</a><br> | ||
| 189 | <a | ||
| 190 | href="http://www.shira.net/" | ||
| 191 | target="new">The Art of Middle Eastern Dance</a><br> | ||
| 192 | <br> | ||
| 193 | <br> | ||
| 194 | </p> | ||
| 195 | |||
| 196 | <p | ||
| 197 | class="title">Good food, Good spirits, Good health</p> | ||
| 198 | |||
| 199 | <p | ||
| 200 | class="links"><a | ||
| 201 | href="http://www.mangiarebene.net/aphrodisiacs/index.html" | ||
| 202 | target="new">Mangiare Bene: Aphrodisiac cuisine</a><br> | ||
| 203 | <a | ||
| 204 | href="http://www.epicurious.com" | ||
| 205 | target="new">Epicurious.com: the world's greatest recipe | ||
| 206 | collection</a><br> | ||
| 207 | <a | ||
| 208 | href="http://www.taunton.com/fc" | ||
| 209 | target="new">Fine Cooking</a><br> | ||
| 210 | <a | ||
| 211 | href="http://www.allrecipes.com" | ||
| 212 | target="new">allrecipes.com</a><br> | ||
| 213 | <a | ||
| 214 | href="http://www.winespectator.com" | ||
| 215 | target="new">Wine Spectator Online</a><br> | ||
| 216 | <a | ||
| 217 | href="http://www.geocities.co.jp/Hollywood/6036/" | ||
| 218 | target="new">Tea Ceremony</a><br> | ||
| 219 | <a | ||
| 220 | href="http://www.fitnessonline.com" | ||
| 221 | target="new">FitnessOnline.com</a><br> | ||
| 222 | <a | ||
| 223 | href="http://www.efit.com" | ||
| 224 | target="new">eFit.com</a><br> | ||
| 225 | <a | ||
| 226 | href="http://www.allayurveda.com" | ||
| 227 | target="new">AllAyurveda.com</a><br> | ||
| 228 | <br> | ||
| 229 | <br> | ||
| 230 | </p> | ||
| 231 | |||
| 232 | <p | ||
| 233 | class="title">Food for the Mind</p> | ||
| 234 | |||
| 235 | <p | ||
| 236 | class="links"><a | ||
| 237 | href="http://www.artandculture.com/ACSniffer/index.html" | ||
| 238 | target="new">Art and Culture</a><br> | ||
| 239 | <a | ||
| 240 | href= | ||
| 241 | "http://www.gh.cs.usyd.edu.au/~matty/Shakespeare/index.html" | ||
| 242 | target="new">Shakespeare</a><br> | ||
| 243 | <a | ||
| 244 | href="http://r.webring.com/hub?ring=greatbooks&list" | ||
| 245 | target="new">Great Books Web Ring</a><br> | ||
| 246 | <a | ||
| 247 | href="http://www.ets.uidaho.edu/mickelsen/readings.htm" | ||
| 248 | target="new">Readings in Modern Philosophy</a><br> | ||
| 249 | <a | ||
| 250 | href="http://www.philosophypages.com/hy/" | ||
| 251 | target="new">History of Western Philosophy</a><br> | ||
| 252 | <a | ||
| 253 | href="http://www.thehistorynet.com" | ||
| 254 | target="new">History Net</a><br> | ||
| 255 | <a | ||
| 256 | href="http://www.enslavement.org.uk/yld-healthy.html" | ||
| 257 | target="new">The Healthy Female Submissive</a><br> | ||
| 258 | <br> | ||
| 259 | <br> | ||
| 260 | </p> | ||
| 261 | |||
| 262 | <p | ||
| 263 | class="title">Social Graces</p> | ||
| 264 | |||
| 265 | <p | ||
| 266 | class="links"><a | ||
| 267 | href="http://www.bartleby.com/95" | ||
| 268 | target="new">Emily Post's Etiquette</a><br> | ||
| 269 | <a | ||
| 270 | href="http://www.everyrule.com/etiquette.html" | ||
| 271 | target="new">Everyrule: Etiquette directory</a><br> | ||
| 272 | <a | ||
| 273 | href= | ||
| 274 | "http://entertaining.about.com/style/entertaining/mlibrary.htm" | ||
| 275 | target="new">Library of Articles on Entertaining at Home</a><br> | ||
| 276 | <a | ||
| 277 | href= | ||
| 278 | "http://www.queendom.com/tests/relationships/communication_skills_r_access.html" | ||
| 279 | target="new">Test Your Communication Skills</a><br> | ||
| 280 | <a | ||
| 281 | href="http://nv.essortment.com/publicspeaking_reke.htm" | ||
| 282 | target="new">Speak with Confidence</a><br> | ||
| 283 | <br> | ||
| 284 | <br> | ||
| 285 | </p> | ||
| 286 | |||
| 287 | <a | ||
| 288 | href="kayindex.htm"><img | ||
| 289 | border="0" | ||
| 290 | src="images/kaylee/bluebutton.jpg" | ||
| 291 | alt="Home"></a><br> | ||
| 292 | <br> | ||
| 293 | <br> | ||
| 294 | <center><font | ||
| 295 | size="3" | ||
| 296 | color="#302A66"><b>This webpage features the artwork <i> | ||
| 297 | L'Esclave Blanche</i>,<br> | ||
| 298 | painted in 1888 by Jean-Jules Antoine Lecomte du | ||
| 299 | No�y.</b></font></center> | ||
| 300 | </center> | ||
| 301 | </td> | ||
| 302 | </tr> | ||
| 303 | </table> | ||
| 304 | </div> | ||
| 305 | |||
| 306 | <br> | ||
| 307 | <br> | ||
| 308 | <br> | ||
| 309 | </div> | ||
| 310 | </body> | ||
| 311 | </html> | ||
| 312 | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
| 2 | <html> | ||
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| 7 | <title>Gor on Earth: Sanctuary of Slave Musings</title> | ||
| 8 | <meta | ||
| 9 | name="DESCRIPTION" | ||
| 10 | content= | ||
| 11 | "A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
| 12 | <meta | ||
| 13 | name="keywords" | ||
| 14 | content= | ||
| 15 | "Gor,consensual slavery, Gorean philosophy,Gorean lifestyle,Gorean slavery"> | ||
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| 78 | <div | ||
| 79 | align="center"><font | ||
| 80 | face="Times New Roman" | ||
| 81 | size="6" | ||
| 82 | color="#A9AFD4"><b><i>Useful Links for the Modern | ||
| 83 | Slave</i></b></font><br> | ||
| 84 | <br> | ||
| 85 | <div | ||
| 86 | align="center"> | ||
| 87 | <table | ||
| 88 | border="2" | ||
| 89 | bordercolor="#FFF7E0" | ||
| 90 | cellpadding="25" | ||
| 91 | cellspacing="0" | ||
| 92 | width="85%" | ||
| 93 | background="images/kaylee/mutedblue.jpg" | ||
| 94 | summary="this table provides a coloured background"> | ||
| 95 | <tr> | ||
| 96 | <td | ||
| 97 | width="70%"><br> | ||
| 98 | <br> | ||
| 99 | <table | ||
| 100 | border="0" | ||
| 101 | cellpadding="10" | ||
| 102 | cellspacing="10" | ||
| 103 | summary="this table is for structure"> | ||
| 104 | <tr> | ||
| 105 | <td | ||
| 106 | align="center"><img | ||
| 107 | src="images/kaylee/learning.gif" | ||
| 108 | alt="L'Esclave Blanche image"></td> | ||
| 109 | <td | ||
| 110 | align="left"><font | ||
| 111 | face="Times New Roman" | ||
| 112 | size="4" | ||
| 113 | color="#302A66"><b>A slave's life is mostly composed of patience | ||
| 114 | and study.<br> | ||
| 115 | <br> | ||
| 116 | Yes, study. If not with actual books, then following the example | ||
| 117 | of greater, senior slaves. Or learning every nuance of their | ||
| 118 | owner's character, so that they can more completely and | ||
| 119 | seamlessly offer themselves at the right time and in the right | ||
| 120 | manner.</b></font> <br> | ||
| 121 | <br> | ||
| 122 | <p | ||
| 123 | class="author">~Laura Antoniou~</p> | ||
| 124 | </td> | ||
| 125 | </tr> | ||
| 126 | </table> | ||
| 127 | |||
| 128 | <p | ||
| 129 | class="intro">Being a pleasure slave can often be one of the | ||
| 130 | most difficult tasks to learn. Not only must she be pleasing | ||
| 131 | sexually, but skilled in various areas to ensure her worth. | ||
| 132 | kaylee's learned from her experience that a pleasing slave could | ||
| 133 | also be an excellent cook, an intelligent conversationalist, up | ||
| 134 | to date on politics and able to speak of philosophies, well read, | ||
| 135 | able to dance, competent in games or sport, run a household, | ||
| 136 | handle herself in unfamiliar situations with ease, knowing the | ||
| 137 | delicate line between when being a slut is appropriate or | ||
| 138 | kneeling quietly, not wishing to interrupt.... in short, being | ||
| 139 | prepared for *anything* the Master might request that would | ||
| 140 | please him.</p> | ||
| 141 | |||
| 142 | <p | ||
| 143 | class="intro">There is always something new to learn. These | ||
| 144 | links are just a few of the practical sites which helped kaylee | ||
| 145 | develop skills or techniques in order to be more pleasing to her | ||
| 146 | owner. She hopes you enjoy browsing this library of useful | ||
| 147 | links.<br> | ||
| 148 | <br> | ||
| 149 | <br> | ||
| 150 | </p> | ||
| 151 | |||
| 152 | <center> | ||
| 153 | <p | ||
| 154 | class="title">Around the Home</p> | ||
| 155 | |||
| 156 | <p | ||
| 157 | class="links"><a | ||
| 158 | href="http://homepage.mac.com/darik/pages/carwash.html" | ||
| 159 | target="new">Car Wash Advice Page</a><br> | ||
| 160 | <a | ||
| 161 | href="http://www.organizetips.com" | ||
| 162 | target="new">Organizational Skills</a><br> | ||
| 163 | <a | ||
| 164 | href="http://www.mindtools.com/page5.html" | ||
| 165 | target="new">Time Management</a><br> | ||
| 166 | <a | ||
| 167 | href="http://www.barnesandnobleuniversity.com/bnu/" | ||
| 168 | target="new">Barnes and Noble online classes</a><br> | ||
| 169 | <br> | ||
| 170 | <br> | ||
| 171 | </p> | ||
| 172 | |||
| 173 | <p | ||
| 174 | class="title">More "Personal" Service</p> | ||
| 175 | |||
| 176 | <p | ||
| 177 | class="links"><a | ||
| 178 | href="http://www.hennapage.com/henna/" | ||
| 179 | target="new">The Henna Page</a><br> | ||
| 180 | <a | ||
| 181 | href="http://www.sexuality.org/erotmass.html" | ||
| 182 | target="new">Erotic Massage</a><br> | ||
| 183 | <a | ||
| 184 | href="http://newfrontier.com/nepal/" | ||
| 185 | target="new">Exploring Tantra</a><br> | ||
| 186 | <a | ||
| 187 | href="http://www.sexuality.org/l/sex/fellatio.html" | ||
| 188 | target="new">Guide to Performing Fellatio</a><br> | ||
| 189 | <a | ||
| 190 | href="http://www.shira.net/" | ||
| 191 | target="new">The Art of Middle Eastern Dance</a><br> | ||
| 192 | <br> | ||
| 193 | <br> | ||
| 194 | </p> | ||
| 195 | |||
| 196 | <p | ||
| 197 | class="title">Good food, Good spirits, Good health</p> | ||
| 198 | |||
| 199 | <p | ||
| 200 | class="links"><a | ||
| 201 | href="http://www.mangiarebene.net/aphrodisiacs/index.html" | ||
| 202 | target="new">Mangiare Bene: Aphrodisiac cuisine</a><br> | ||
| 203 | <a | ||
| 204 | href="http://www.epicurious.com" | ||
| 205 | target="new">Epicurious.com: the world's greatest recipe | ||
| 206 | collection</a><br> | ||
| 207 | <a | ||
| 208 | href="http://www.taunton.com/fc" | ||
| 209 | target="new">Fine Cooking</a><br> | ||
| 210 | <a | ||
| 211 | href="http://www.allrecipes.com" | ||
| 212 | target="new">allrecipes.com</a><br> | ||
| 213 | <a | ||
| 214 | href="http://www.winespectator.com" | ||
| 215 | target="new">Wine Spectator Online</a><br> | ||
| 216 | <a | ||
| 217 | href="http://www.geocities.co.jp/Hollywood/6036/" | ||
| 218 | target="new">Tea Ceremony</a><br> | ||
| 219 | <a | ||
| 220 | href="http://www.fitnessonline.com" | ||
| 221 | target="new">FitnessOnline.com</a><br> | ||
| 222 | <a | ||
| 223 | href="http://www.efit.com" | ||
| 224 | target="new">eFit.com</a><br> | ||
| 225 | <a | ||
| 226 | href="http://www.allayurveda.com" | ||
| 227 | target="new">AllAyurveda.com</a><br> | ||
| 228 | <br> | ||
| 229 | <br> | ||
| 230 | </p> | ||
| 231 | |||
| 232 | <p | ||
| 233 | class="title">Food for the Mind</p> | ||
| 234 | |||
| 235 | <p | ||
| 236 | class="links"><a | ||
| 237 | href="http://www.artandculture.com/ACSniffer/index.html" | ||
| 238 | target="new">Art and Culture</a><br> | ||
| 239 | <a | ||
| 240 | href= | ||
| 241 | "http://www.gh.cs.usyd.edu.au/~matty/Shakespeare/index.html" | ||
| 242 | target="new">Shakespeare</a><br> | ||
| 243 | <a | ||
| 244 | href="http://r.webring.com/hub?ring=greatbooks&list" | ||
| 245 | target="new">Great Books Web Ring</a><br> | ||
| 246 | <a | ||
| 247 | href="http://www.ets.uidaho.edu/mickelsen/readings.htm" | ||
| 248 | target="new">Readings in Modern Philosophy</a><br> | ||
| 249 | <a | ||
| 250 | href="http://www.philosophypages.com/hy/" | ||
| 251 | target="new">History of Western Philosophy</a><br> | ||
| 252 | <a | ||
| 253 | href="http://www.thehistorynet.com" | ||
| 254 | target="new">History Net</a><br> | ||
| 255 | <a | ||
| 256 | href="http://www.enslavement.org.uk/yld-healthy.html" | ||
| 257 | target="new">The Healthy Female Submissive</a><br> | ||
| 258 | <br> | ||
| 259 | <br> | ||
| 260 | </p> | ||
| 261 | |||
| 262 | <p | ||
| 263 | class="title">Social Graces</p> | ||
| 264 | |||
| 265 | <p | ||
| 266 | class="links"><a | ||
| 267 | href="http://www.bartleby.com/95" | ||
| 268 | target="new">Emily Post's Etiquette</a><br> | ||
| 269 | <a | ||
| 270 | href="http://www.everyrule.com/etiquette.html" | ||
| 271 | target="new">Everyrule: Etiquette directory</a><br> | ||
| 272 | <a | ||
| 273 | href= | ||
| 274 | "http://entertaining.about.com/style/entertaining/mlibrary.htm" | ||
| 275 | target="new">Library of Articles on Entertaining at Home</a><br> | ||
| 276 | <a | ||
| 277 | href= | ||
| 278 | "http://www.queendom.com/tests/relationships/communication_skills_r_access.html" | ||
| 279 | target="new">Test Your Communication Skills</a><br> | ||
| 280 | <a | ||
| 281 | href="http://nv.essortment.com/publicspeaking_reke.htm" | ||
| 282 | target="new">Speak with Confidence</a><br> | ||
| 283 | <br> | ||
| 284 | <br> | ||
| 285 | </p> | ||
| 286 | |||
| 287 | <a | ||
| 288 | href="kayindex.htm"><img | ||
| 289 | border="0" | ||
| 290 | src="images/kaylee/bluebutton.jpg" | ||
| 291 | alt="Home"></a><br> | ||
| 292 | <br> | ||
| 293 | <br> | ||
| 294 | <center><font | ||
| 295 | size="3" | ||
| 296 | color="#302A66"><b>This webpage features the artwork <i> | ||
| 297 | L'Esclave Blanche</i>,<br> | ||
| 298 | painted in 1888 by Jean-Jules Antoine Lecomte du | ||
| 299 | No�y.</b></font></center> | ||
| 300 | </center> | ||
| 301 | </td> | ||
| 302 | </tr> | ||
| 303 | </table> | ||
| 304 | </div> | ||
| 305 | |||
| 306 | <br> | ||
| 307 | <br> | ||
| 308 | <br> | ||
| 309 | </div> | ||
| 310 | </body> | ||
| 311 | </html> | ||
| 312 | |||
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| File trust.htm changed (mode: 100644) (index bbc2895..73d59c1) | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
| 2 | <html> | ||
| 3 | <head> | ||
| 4 | <meta | ||
| 5 | name="generator" | ||
| 6 | content="HTML Tidy, see www.w3.org"> | ||
| 7 | <title>Slave Musings: A Slave's Trust</title> | ||
| 8 | <style | ||
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| 22 | background: url(http://www.gor-on-earth.com/images/kaylee/background/rustltbg.jpg);} | ||
| 23 | --> | ||
| 24 | </style> | ||
| 25 | |||
| 26 | <meta | ||
| 27 | name="DESCRIPTION" | ||
| 28 | content= | ||
| 29 | "A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
| 30 | <meta | ||
| 31 | name="keywords" | ||
| 32 | content= | ||
| 33 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Master,slave"> | ||
| 34 | <meta | ||
| 35 | name="robots" | ||
| 36 | content="index, follow"> | ||
| 37 | <meta | ||
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| 41 | <body | ||
| 42 | background="images/kaylee/background/rustbg.jpg" | ||
| 43 | bgcolor="#733D3E" | ||
| 44 | text="#733D3E" | ||
| 45 | link="#C99C93" | ||
| 46 | alink="#C99C93" | ||
| 47 | vlink="#C99C93"> | ||
| 48 | <br> | ||
| 49 | <br> | ||
| 50 | <br> | ||
| 51 | <br> | ||
| 52 | <basefont | ||
| 53 | face="Times New Roman" | ||
| 54 | size="3" | ||
| 55 | color="#733D3E"> | ||
| 56 | <center> | ||
| 57 | <div | ||
| 58 | align="center"> | ||
| 59 | <table | ||
| 60 | border="2" | ||
| 61 | summary= | ||
| 62 | "This table provides a colored background for the main body of the text." | ||
| 63 | cellpadding="35" | ||
| 64 | cellspacing="0" | ||
| 65 | width="750"> | ||
| 66 | <tr> | ||
| 67 | <td | ||
| 68 | width="100%"><br> | ||
| 69 | |||
| 70 | |||
| 71 | <center><img | ||
| 72 | src="images/kaylee/title/trusttitle.gif" | ||
| 73 | height="327" | ||
| 74 | width="402" | ||
| 75 | alt="title"></center> | ||
| 76 | |||
| 77 | <br> | ||
| 78 | <br> | ||
| 79 | <p>kaylee's been mulling over the mixed messages we get, from | ||
| 80 | serving all Masters and Mistresses and being subject to their | ||
| 81 | will to knowing who's feet you kneel before.</p> | ||
| 82 | |||
| 83 | <p>There is a conflict within her, and she is just now putting it | ||
| 84 | into words.</p> | ||
| 85 | |||
| 86 | <p>As a slave, kaylee discovered that she responds to strong men, | ||
| 87 | and by that she does not mean every capped name to whom she | ||
| 88 | serves paga. She has felt the vulnerability, even more pronounced | ||
| 89 | in her offline interactions, of her need burning more strongly | ||
| 90 | than her sense of self preservation.</p> | ||
| 91 | |||
| 92 | <p>A Gorean Man spoke to kaylee recently, and let her know he | ||
| 93 | noticed her in the rooms and was pleased by her general behavior, | ||
| 94 | since they had not interacted much. He touched her cheek. Her | ||
| 95 | response was well... embarrassing. She tried to hide it the best | ||
| 96 | she could, for he had no idea what that did to her. She felt so | ||
| 97 | foolish to have a casual comment and gesture move her.</p> | ||
| 98 | |||
| 99 | <p>*swallows hard, looking down*</p> | ||
| 100 | |||
| 101 | <p>kaylee wept.</p> | ||
| 102 | |||
| 103 | <p>She didn't describe it through typing it out, because when she | ||
| 104 | is touched so deeply, typing out "glistening tears trickle down | ||
| 105 | her cheeks" simply cannot be done during such a raw moment of | ||
| 106 | sheer emotion.</p> | ||
| 107 | |||
| 108 | <p>At that touch, she knew that she was helpless, because she | ||
| 109 | could not resist the need he brought out in her to please him. It | ||
| 110 | was unexpected, and left her in a shaky awe of the reminder of | ||
| 111 | what it means to be slave to her core.</p> | ||
| 112 | |||
| 113 | <p>The rest of this post does not refer to this man, but rather, | ||
| 114 | the emotions and helplessness men can bring out in slaves.</p> | ||
| 115 | |||
| 116 | <p>There are men, strong men, who inspire these emotions within | ||
| 117 | slaves. They simply command it without saying, through their | ||
| 118 | presence, their strength, the level you innately respect and | ||
| 119 | trust them. They compel it.</p> | ||
| 120 | |||
| 121 | <p>Conversely, you can't choose who they are, and with some, you | ||
| 122 | may not like the idea of what they can do to you, or the fact | ||
| 123 | that you respond on such a deep level. All those "limits" you | ||
| 124 | initially felt that the man would respect, the "requirements" you | ||
| 125 | sought in someone similar to yourself, suddenly useless because | ||
| 126 | of the need that man inspires, despite the difference in | ||
| 127 | outlooks. That knowledge terrifies her to an extent, because what | ||
| 128 | if that someone you respond to is not someone she could, or | ||
| 129 | should trust? We hear about it all the time, horror stories and | ||
| 130 | general warnings about knowing who you kneel before.</p> | ||
| 131 | |||
| 132 | Some say you can choose who you surrender to. With kaylee, she | ||
| 133 | can not. Those who are strong men, dominant men, Gorean Men, | ||
| 134 | wrench it from her despite her fears and self protective shell, | ||
| 135 | they take what comes naturally from deep within and the choice is | ||
| 136 | no longer there. Its instinctive, she doesn't find the fear of | ||
| 137 | "is kaylee 'slave' enough for him" or "is she acting the way he | ||
| 138 | wants". She merely responds naturally as a slave who is driven by | ||
| 139 | something she can't explain.<br> | ||
| 140 | <br> | ||
| 141 | |||
| 142 | |||
| 143 | <p>That doesn't mean she doesn't strive to please all Gorean | ||
| 144 | Masters or Mistresses, or that she ever forgets her place, | ||
| 145 | knowing she is subject to their discipline or whim, and knowing | ||
| 146 | how much she desires to make them happy with her efforts. It's a | ||
| 147 | certain difference that she can't define, she just knows when it | ||
| 148 | hits her overwhelmingly so.</p> | ||
| 149 | |||
| 150 | <p>Does that mean she would place her life in their hands, based | ||
| 151 | only on sheer belly? No. Because the difference between being | ||
| 152 | aware of your need, and placing yourself in danger is trust. As | ||
| 153 | property or potential property, there is a need to ensure that | ||
| 154 | you remain undamaged for the one who will ultimately own you. | ||
| 155 | It's getting to know the person well, so well, that you can | ||
| 156 | surrender to your owner and know how they act in various | ||
| 157 | situations, and still trust them above what you feel is best for | ||
| 158 | you (their will above yours).</p> | ||
| 159 | |||
| 160 | <p>That level of absolute trust needs to develop. Especially if | ||
| 161 | you are looking for true ownership, surrendering all he may ask | ||
| 162 | of you, including your money, your body, your home. Or even | ||
| 163 | online, giving up so much that it is truly renders you helpless | ||
| 164 | in your slavery to him. It's easy to be owned if you aren't | ||
| 165 | risking giving up everything. But introduce children into your | ||
| 166 | surrender, or your car and other possessions, the right to steer | ||
| 167 | your career the way you wish... and suddenly, trust isn't that | ||
| 168 | easy to give. Even surrendering your body is difficult, if you | ||
| 169 | realize he may truly wish you branded or whipped often. It's at | ||
| 170 | those moments, you realize the depths of ownership, forsaking all | ||
| 171 | rights and comforts, the paramount nature trust plays in these | ||
| 172 | relationships.</p> | ||
| 173 | |||
| 174 | <p>Absolute trust takes time. Ownership takes time. Anything | ||
| 175 | worthwhile takes time.</p> | ||
| 176 | |||
| 177 | <p>A man who recognizes the value of trust, and what exactly you | ||
| 178 | are surrendering to him, will understand that. It doesn't mean | ||
| 179 | he'll wait forever, nor should he follow a girl's agenda, but its | ||
| 180 | definitely a good indicator as to how he will handle you once you | ||
| 181 | have begged his collar. But time is necessary to let him know who | ||
| 182 | you really are, and finding out who he really is, so that you | ||
| 183 | know the man you kneel before, and he knows the slave who bears | ||
| 184 | his steel. Particularly in a medium which allows us to choose our | ||
| 185 | words to portray who we are.</p> | ||
| 186 | |||
| 187 | <p>Ask those who have had successful meetings offline vs. the | ||
| 188 | horror stories. Find out how long they knew their Master (or | ||
| 189 | slave), in how many ways they did, before meeting. An abuser does | ||
| 190 | not always want to take the time to build trust, because he isn't | ||
| 191 | in this for the long haul... he has another agenda entirely.</p> | ||
| 192 | |||
| 193 | <p>The initial feelings of helplessness are still there, and that | ||
| 194 | is natural. It's something which cannot be controlled. But | ||
| 195 | knowing you absolutely trust the person, and can surrender | ||
| 196 | everything with no doubts or fighting off your own self | ||
| 197 | preservation instincts, that "utterly slave" feeling... well, | ||
| 198 | there is no greater peace within your soul. It's a conflict, but | ||
| 199 | one worth taking on.</p> | ||
| 200 | |||
| 201 | <p>It's the difference between yielding and surrendering. And the | ||
| 202 | difference between being a victim of your own need to give too | ||
| 203 | easily, and to utterly give everything, secure that you trust and | ||
| 204 | know him enough to do so. It's not always easy, when that initial | ||
| 205 | feeling of vulnerability and need first emerge to remind herself | ||
| 206 | that absolute trust will make this infinitely more fulfilling to | ||
| 207 | both sides. kaylee was reminded of that this week, and is so | ||
| 208 | thankful to be allowed to kneel before strong men and experience | ||
| 209 | those emotions.</p> | ||
| 210 | |||
| 211 | <br> | ||
| 212 | <br> | ||
| 213 | <center><a | ||
| 214 | href="kayindex.htm"><img | ||
| 215 | border="0" | ||
| 216 | src="images/kaylee/buttons/trusthome.gif" | ||
| 217 | alt="Back to the Sanctuary"></a></center> | ||
| 218 | |||
| 219 | <br> | ||
| 220 | <p | ||
| 221 | align="right"><font | ||
| 222 | size="2">Graphic design and words � Copyright 2001 kaylee<br> | ||
| 223 | All rights reserved. No reproduction permitted.<br> | ||
| 224 | Visit http://www.gor-on-earth.com/copyright.htm for this site's | ||
| 225 | copyright policy</font></p> | ||
| 226 | </td> | ||
| 227 | </tr> | ||
| 228 | </table> | ||
| 229 | |||
| 230 | <br> | ||
| 231 | <br> | ||
| 232 | <center><font | ||
| 233 | size="2" | ||
| 234 | color="#C99C93">kaylee was generously permitted to feature | ||
| 235 | artwork by William Whitaker for this web graphic.<br> | ||
| 236 | To see more of his wonderful art, please visit his site at: <a | ||
| 237 | href="http://www.williamwhitaker.com/" | ||
| 238 | target="new">http://www.williamwhitaker.com</a><br> | ||
| 239 | Contact <a | ||
| 240 | href="mailto:kaylee@gor-on-earth.com">kaylee</a> if you are | ||
| 241 | interested in unique graphics created for your | ||
| 242 | website.</font></center> | ||
| 243 | |||
| 244 | <br> | ||
| 245 | <p><a | ||
| 246 | href="http://validator.w3.org/check/referer"><img | ||
| 247 | border="0" | ||
| 248 | src="http://www.gor-on-earth.com/images/valid-html401.gif" | ||
| 249 | alt="Valid HTML 4.01!" | ||
| 250 | height="31" | ||
| 251 | width="88"></a></p> | ||
| 252 | </div> | ||
| 253 | </center> | ||
| 254 | </body> | ||
| 255 | </html> | ||
| 256 | |||
| 1 | <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> | ||
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| 3 | <head> | ||
| 4 | <meta | ||
| 5 | name="generator" | ||
| 6 | content="HTML Tidy, see www.w3.org"> | ||
| 7 | <title>Slave Musings: A Slave's Trust</title> | ||
| 8 | <style | ||
| 9 | type="text/css"> | ||
| 10 | <!-- | ||
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| 12 | scrollbar-face-color: #743C3D; | ||
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| 23 | --> | ||
| 24 | </style> | ||
| 25 | |||
| 26 | <meta | ||
| 27 | name="DESCRIPTION" | ||
| 28 | content= | ||
| 29 | "A collection of essays discussing to Gorean philosophy as depicted in John Norman's Gor series and its application in everyday life here on Earth"> | ||
| 30 | <meta | ||
| 31 | name="keywords" | ||
| 32 | content= | ||
| 33 | "Gor,consensual slavery,Gorean philosophy,Gorean lifestyle,Master,slave"> | ||
| 34 | <meta | ||
| 35 | name="robots" | ||
| 36 | content="index, follow"> | ||
| 37 | <meta | ||
| 38 | name="revisit" | ||
| 39 | content="14 days"> | ||
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| 41 | <body | ||
| 42 | background="images/kaylee/background/rustbg.jpg" | ||
| 43 | bgcolor="#733D3E" | ||
| 44 | text="#733D3E" | ||
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| 46 | alink="#C99C93" | ||
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| 50 | <br> | ||
| 51 | <br> | ||
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| 54 | size="3" | ||
| 55 | color="#733D3E"> | ||
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| 59 | <table | ||
| 60 | border="2" | ||
| 61 | summary= | ||
| 62 | "This table provides a colored background for the main body of the text." | ||
| 63 | cellpadding="35" | ||
| 64 | cellspacing="0" | ||
| 65 | width="750"> | ||
| 66 | <tr> | ||
| 67 | <td | ||
| 68 | width="100%"><br> | ||
| 69 | |||
| 70 | |||
| 71 | <center><img | ||
| 72 | src="images/kaylee/title/trusttitle.gif" | ||
| 73 | height="327" | ||
| 74 | width="402" | ||
| 75 | alt="title"></center> | ||
| 76 | |||
| 77 | <br> | ||
| 78 | <br> | ||
| 79 | <p>kaylee's been mulling over the mixed messages we get, from | ||
| 80 | serving all Masters and Mistresses and being subject to their | ||
| 81 | will to knowing who's feet you kneel before.</p> | ||
| 82 | |||
| 83 | <p>There is a conflict within her, and she is just now putting it | ||
| 84 | into words.</p> | ||
| 85 | |||
| 86 | <p>As a slave, kaylee discovered that she responds to strong men, | ||
| 87 | and by that she does not mean every capped name to whom she | ||
| 88 | serves paga. She has felt the vulnerability, even more pronounced | ||
| 89 | in her offline interactions, of her need burning more strongly | ||
| 90 | than her sense of self preservation.</p> | ||
| 91 | |||
| 92 | <p>A Gorean Man spoke to kaylee recently, and let her know he | ||
| 93 | noticed her in the rooms and was pleased by her general behavior, | ||
| 94 | since they had not interacted much. He touched her cheek. Her | ||
| 95 | response was well... embarrassing. She tried to hide it the best | ||
| 96 | she could, for he had no idea what that did to her. She felt so | ||
| 97 | foolish to have a casual comment and gesture move her.</p> | ||
| 98 | |||
| 99 | <p>*swallows hard, looking down*</p> | ||
| 100 | |||
| 101 | <p>kaylee wept.</p> | ||
| 102 | |||
| 103 | <p>She didn't describe it through typing it out, because when she | ||
| 104 | is touched so deeply, typing out "glistening tears trickle down | ||
| 105 | her cheeks" simply cannot be done during such a raw moment of | ||
| 106 | sheer emotion.</p> | ||
| 107 | |||
| 108 | <p>At that touch, she knew that she was helpless, because she | ||
| 109 | could not resist the need he brought out in her to please him. It | ||
| 110 | was unexpected, and left her in a shaky awe of the reminder of | ||
| 111 | what it means to be slave to her core.</p> | ||
| 112 | |||
| 113 | <p>The rest of this post does not refer to this man, but rather, | ||
| 114 | the emotions and helplessness men can bring out in slaves.</p> | ||
| 115 | |||
| 116 | <p>There are men, strong men, who inspire these emotions within | ||
| 117 | slaves. They simply command it without saying, through their | ||
| 118 | presence, their strength, the level you innately respect and | ||
| 119 | trust them. They compel it.</p> | ||
| 120 | |||
| 121 | <p>Conversely, you can't choose who they are, and with some, you | ||
| 122 | may not like the idea of what they can do to you, or the fact | ||
| 123 | that you respond on such a deep level. All those "limits" you | ||
| 124 | initially felt that the man would respect, the "requirements" you | ||
| 125 | sought in someone similar to yourself, suddenly useless because | ||
| 126 | of the need that man inspires, despite the difference in | ||
| 127 | outlooks. That knowledge terrifies her to an extent, because what | ||
| 128 | if that someone you respond to is not someone she could, or | ||
| 129 | should trust? We hear about it all the time, horror stories and | ||
| 130 | general warnings about knowing who you kneel before.</p> | ||
| 131 | |||
| 132 | Some say you can choose who you surrender to. With kaylee, she | ||
| 133 | can not. Those who are strong men, dominant men, Gorean Men, | ||
| 134 | wrench it from her despite her fears and self protective shell, | ||
| 135 | they take what comes naturally from deep within and the choice is | ||
| 136 | no longer there. Its instinctive, she doesn't find the fear of | ||
| 137 | "is kaylee 'slave' enough for him" or "is she acting the way he | ||
| 138 | wants". She merely responds naturally as a slave who is driven by | ||
| 139 | something she can't explain.<br> | ||
| 140 | <br> | ||
| 141 | |||
| 142 | |||
| 143 | <p>That doesn't mean she doesn't strive to please all Gorean | ||
| 144 | Masters or Mistresses, or that she ever forgets her place, | ||
| 145 | knowing she is subject to their discipline or whim, and knowing | ||
| 146 | how much she desires to make them happy with her efforts. It's a | ||
| 147 | certain difference that she can't define, she just knows when it | ||
| 148 | hits her overwhelmingly so.</p> | ||
| 149 | |||
| 150 | <p>Does that mean she would place her life in their hands, based | ||
| 151 | only on sheer belly? No. Because the difference between being | ||
| 152 | aware of your need, and placing yourself in danger is trust. As | ||
| 153 | property or potential property, there is a need to ensure that | ||
| 154 | you remain undamaged for the one who will ultimately own you. | ||
| 155 | It's getting to know the person well, so well, that you can | ||
| 156 | surrender to your owner and know how they act in various | ||
| 157 | situations, and still trust them above what you feel is best for | ||
| 158 | you (their will above yours).</p> | ||
| 159 | |||
| 160 | <p>That level of absolute trust needs to develop. Especially if | ||
| 161 | you are looking for true ownership, surrendering all he may ask | ||
| 162 | of you, including your money, your body, your home. Or even | ||
| 163 | online, giving up so much that it is truly renders you helpless | ||
| 164 | in your slavery to him. It's easy to be owned if you aren't | ||
| 165 | risking giving up everything. But introduce children into your | ||
| 166 | surrender, or your car and other possessions, the right to steer | ||
| 167 | your career the way you wish... and suddenly, trust isn't that | ||
| 168 | easy to give. Even surrendering your body is difficult, if you | ||
| 169 | realize he may truly wish you branded or whipped often. It's at | ||
| 170 | those moments, you realize the depths of ownership, forsaking all | ||
| 171 | rights and comforts, the paramount nature trust plays in these | ||
| 172 | relationships.</p> | ||
| 173 | |||
| 174 | <p>Absolute trust takes time. Ownership takes time. Anything | ||
| 175 | worthwhile takes time.</p> | ||
| 176 | |||
| 177 | <p>A man who recognizes the value of trust, and what exactly you | ||
| 178 | are surrendering to him, will understand that. It doesn't mean | ||
| 179 | he'll wait forever, nor should he follow a girl's agenda, but its | ||
| 180 | definitely a good indicator as to how he will handle you once you | ||
| 181 | have begged his collar. But time is necessary to let him know who | ||
| 182 | you really are, and finding out who he really is, so that you | ||
| 183 | know the man you kneel before, and he knows the slave who bears | ||
| 184 | his steel. Particularly in a medium which allows us to choose our | ||
| 185 | words to portray who we are.</p> | ||
| 186 | |||
| 187 | <p>Ask those who have had successful meetings offline vs. the | ||
| 188 | horror stories. Find out how long they knew their Master (or | ||
| 189 | slave), in how many ways they did, before meeting. An abuser does | ||
| 190 | not always want to take the time to build trust, because he isn't | ||
| 191 | in this for the long haul... he has another agenda entirely.</p> | ||
| 192 | |||
| 193 | <p>The initial feelings of helplessness are still there, and that | ||
| 194 | is natural. It's something which cannot be controlled. But | ||
| 195 | knowing you absolutely trust the person, and can surrender | ||
| 196 | everything with no doubts or fighting off your own self | ||
| 197 | preservation instincts, that "utterly slave" feeling... well, | ||
| 198 | there is no greater peace within your soul. It's a conflict, but | ||
| 199 | one worth taking on.</p> | ||
| 200 | |||
| 201 | <p>It's the difference between yielding and surrendering. And the | ||
| 202 | difference between being a victim of your own need to give too | ||
| 203 | easily, and to utterly give everything, secure that you trust and | ||
| 204 | know him enough to do so. It's not always easy, when that initial | ||
| 205 | feeling of vulnerability and need first emerge to remind herself | ||
| 206 | that absolute trust will make this infinitely more fulfilling to | ||
| 207 | both sides. kaylee was reminded of that this week, and is so | ||
| 208 | thankful to be allowed to kneel before strong men and experience | ||
| 209 | those emotions.</p> | ||
| 210 | |||
| 211 | <br> | ||
| 212 | <br> | ||
| 213 | <center><a | ||
| 214 | href="kayindex.htm"><img | ||
| 215 | border="0" | ||
| 216 | src="images/kaylee/buttons/trusthome.gif" | ||
| 217 | alt="Back to the Sanctuary"></a></center> | ||
| 218 | |||
| 219 | <br> | ||
| 220 | <p | ||
| 221 | align="right"><font | ||
| 222 | size="2">Graphic design and words � Copyright 2001 kaylee<br> | ||
| 223 | All rights reserved. No reproduction permitted.<br> | ||
| 224 | Visit http://www.gor-on-earth.com/copyright.htm for this site's | ||
| 225 | copyright policy</font></p> | ||
| 226 | </td> | ||
| 227 | </tr> | ||
| 228 | </table> | ||
| 229 | |||
| 230 | <br> | ||
| 231 | <br> | ||
| 232 | <center><font | ||
| 233 | size="2" | ||
| 234 | color="#C99C93">kaylee was generously permitted to feature | ||
| 235 | artwork by William Whitaker for this web graphic.<br> | ||
| 236 | To see more of his wonderful art, please visit his site at: <a | ||
| 237 | href="http://www.williamwhitaker.com/" | ||
| 238 | target="new">http://www.williamwhitaker.com</a><br> | ||
| 239 | Contact <a | ||
| 240 | href="mailto:kaylee@gor-on-earth.com">kaylee</a> if you are | ||
| 241 | interested in unique graphics created for your | ||
| 242 | website.</font></center> | ||
| 243 | |||
| 244 | <br> | ||
| 245 | <p><a | ||
| 246 | href="http://validator.w3.org/check/referer"><img | ||
| 247 | border="0" | ||
| 248 | src="http://www.gor-on-earth.com/images/valid-html401.gif" | ||
| 249 | alt="Valid HTML 4.01!" | ||
| 250 | height="31" | ||
| 251 | width="88"></a></p> | ||
| 252 | </div> | ||
| 253 | </center> | ||
| 254 | </body> | ||
| 255 | </html> | ||
| 256 | |||
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